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Session Text

1
Session One


   

session 1
Saturday July 31

LOTS 1 - 599

session 2
Sunday August 1

LOTS 600 - 1114



1 MORDEN. England. c. 1695. Handcolored engraved map. 14 1/2" x 17 1/8". [150-200]
2 COVENS & MORITER. La France. Handcolored engraved map. 19 1/2" x 24". [125-175]
3 JACQUES CALLOT (Fr., 1592-1635). Four etchings from, Les Caprices. Le Gentilhomme a la Grande Canne; Les Danseurs au Luth; Le Commandant a Pied; Le Marche de la Place de l'Annonciade, a Florence. [Lieure 443;461;467;471, I/II]. Each, 2 1/8" x 3 1/8". [200-300]
4 REMBRANDT HARMENSZ VAN RIJN (Dut., 1606-1669). Jan Asselyn, Painter ("Crabbetje"). c. 1647. Etching, drypoint and burin. [Bartsch 277; Biorklund 47-1 IV/IV; Hollstein (White and Boon) 277]. 7 3/8" x 6 3/4". [900-1,200]
5 BENJAMIN PATTERSEN (Swiss., 1750-1814). La Bourse, St. Petersbourg. Handcolored etching and aquatint. Image area: 14" x 23". [700-900]
6 18TH-19TH CENTURY GERMAN HANDCOLORED ENGRAVING. Bonaparte. In eglomise mat. Image area: 7 1/2" x 5 7/8". [100-150]
7 GEORGE EDWARDS (Eng., 1694-1773). Four handcolored ornithological etchings. Including, Toucan. Each, approx.: 9 1/2" x 7 3/8". [200-300]
8 WILLIAM HOGARTH (Eng., 1697-1764). Three etchings and engravings. Plate 3 from, The Harlots Progress; Plates 5 and 6 from, Industry and Idleness (the last two printed together on one sheet). [Paulson 123;172;173]. Largest, 12 3/4" x 15 1/2". [300-400]
9 AFTER GEORGE MORLAND (Eng., 1763-1804). Two stipple engravings by W. Blake. The Idle Laundress and Industrious Cottages. Each, published by J.R. Smith, London, 1788. Each, image area: 8 1/4" x 10 1/8". [200-300]
10 THOMAS ROWLANDSON (Eng., 1756-1827). Two handcolored etchings. A Sufferer for Decency and A Penny Barber. Larger, image area: 8 3/8" x 12 1/4". [200-300]
11 AFTER SAMUEL WALTERS (Eng., 1811-1882). Two handcolored aquatints by Henry Papprill. Outward Bound, Off the Rock Fort and Light House-Liverpool and Homeward Bound, Passing the Light Ship-Liverpool. Each, approx. 9" x 12". [100-150]
12 AFTER T.N.H. WALSH (Eng., 19th cent.). Three Minutes to Spare. Handcolored aquatint by C.R. Stock. 14 7/8" x 29 1/2". [100-150]
13 AFTER HENRY THOMAS ALKEN (Eng., 1785-1851). Four color lithographs by I. Clark. Pike Fishing, Flacker Shooting, Pheasant Shooting, and Pointers. Each, image area approx. 8" x 11 1/2". [100-150]
14 AFTER HENRY THOMAS ALKEN (Eng., 1785-1851). Three handcolored aquatints. A Hunting Phaeton; Getting Away; and The Death. One in eglomise mat. Various sizes. [150-200]
15 HENRY GRAVES & CO., pub. (Eng., 19th cent.). The Gardener's Daughter. Handcolored engraving. 35" x 27". [300-400]
16 JOHNNY FRIEDLAENDER (Fr., 1912-1992). Les Grands Chevaux. 1957. Pencil signed and numbered 10/50 in the margin. Etching and aquatint. [Schmucking 169]. 27" x 18 1/4". [200-300]
17 BERNARD BUFFET (Fr., b. 1928). Album San Francisco. 1966. Pencil signed and numbered 144/150 in the margin. Color lithograph. [Sorlier 86]. 19" x 27". [1,500-2,000]
18 BERNARD BUFFET (Fr., b. 1928). Les Fleurs Papillons. 1970. Pencil signed and numbered XI/XXV in the margin. Color lithograph. [Sorlier 197]. 26" x 19 1/4" [1,500-2,000]
19 LEBADANG (Fr./Viet., 20th cent.) Two color lithographs and intaglios. Including Midnight Stallions. Each pencil signed, one also numbered 141/200, one also inscribed "E.A." in the margin. Larger, 19 1/2" x 26 1/2". [150-200]
20 LEBADANG (Fr./Viet., 20th cent.) Two color lithographs. Including Lac Jaune. Each pencil signed and numbered, one within the image, one in the margin. Larger, 29 1/2" x 20 1/2". [150-200]
21 ROLF RAFFLEWSKI (Cont., 20th cent.). Casino Monte Carlo. 1977. Pencil signed and numbered 23/350 in the margin. Color lithograph. 19" x 27 5/8". [75-100]
22 JOHN JAMES AUDUBON (Am., 1785-1851). Blue Jay. c. 1830. Plate CII from The Birds of America. Handcolored etching, engraving and aquatint by R. Havell. 20 5/8" x 26". Sheet size: x 27 1/8". [2,000-3,000]
23 CURRIER AND IVES, Pub. (Am., 19th cent.). Two handcolored lithographs. The Grand Horse ST. JULIEN, the "King of Trotters", 1881 and Jane Eye See, 1883. [Conningham 2488; 3186]. Each, sheet size, approx: 13 1/4" x 17 5/8". [200-300]
24 CURRIER AND IVES, Pub. (Am., 19th cent.). Two handcolored lithographs. Defiance! and Ready for Battle. [Conningham 1541; 5078]. Each, sheet size: 12" x 15 7/8". [200-300]
25 FRANK WESTON BENSON (Am., 1862-1951). Ducks at Dawn. 1920. Ed. 150. Pencil signed in the margin. Etching and drypoint. [Paff 198]. 7 1/8" x 9". [300-500]
26 ROLAND CLARK (Am., 1874-1957). Four etchings and drypoints. Wood Duck, ed. 45; The Sanctuary, 1921, ed. 75; Canada Geese, ed. 75; After the Blow, ed. 75. Each pencil signed, the former two also numbered in the margin. Various sizes. [200-300]
27 THOMAS HART BENTON (Am., 1889-1975). Jessie James. 1936. Ed. 100. AAA pub. Pencil signed in the margin. Lithograph. [Fath 13]. 16 3/8" x 22". Sheet size: 18 7/8" x 23 5/8". [2,000-3,000]
28 JOHN TAYLOR ARMS (Am., 1887-1953). Rodez (The Tower of Notre Dame). 1927. Ed. 120. Pencil signed and dated in the margin. Etching. [Fletcher 189]. 12" x 5". [100-200]
29 JOHN TAYLOR ARMS (Am., 1887-1953). Afterglow (Geddington, England (sketch)). 1938. Etching. [Fletcher 315]. 3 1/4" x 5 7/16". [100-150]
30 TWO 20TH CENTURY AMERICAN WOOD ENGRAVINGS. Asa Cheffetz (1896-1965), Two Old Timers, c. 1947, AAA pub.; and Thomas Willoughby Nason (1889-1971), Midsummer, 1942. Each pencil signed in the margin. [Springfield Museum 82; Boston Public Library 330]. Larger, 6" x 9". [200-300]
31 MARK ALAN LEITHAUSER (Am., 20th cent.). The Northern Shore. 1977. Pencil signed, titled, dated and numbered 37/150 in the margin. Etching. 9" x 11 7/8". [100-150]
32 ANDY WARHOL (Am., 1928-1987). Lincoln Center Ticket. 1967. From the unsigned edition of 500 published by List Art Posters for Lincoln Center for the Performing Arts. Color screenprint poster. [Feldman/Schellman 19]. Sheet size: 45" x 24". [300-500]
33 ROBERT INDIANA (Am., b. 1928). New York City Center Anniversary. 1968. List Art Posters, pub. Color screenprint poster. Sheet size, sight: 34 5/8" x 24 5/8". [100-200]
34 WILLIAM SCHARF (Am., b. 1927). Gull Sphinx. Pencil signed and numbered 125/150 in the margin. Color screenprint. 16 3/4" x 20 3/8". [100-150]
35 FIVE JAPANESE COLOR WOODCUTS. Utagawa Kunisada (1785-1864), Figures in a Landscape; After Ando Hiroshigi (1797-1858), Carp; and After Katsushika Hokusai (1760-1849), A Road beside a Waterfall; Charcoal and Lumber Yard Near Rapids. One, chuban, four oban. [200-300]
36 TWO 19TH CENTURY JAPANESE COLOR WOODCUTS. Utagawa Toyokuni III (1786-1864), Figure in Interior; and Utagawa Kuniyoshi (1767-1861), Actor in Role. Each, oban tate. [100-150]
37 KIKUGAWA EIZAN (Jap., 1787-1867). Bijin. Color woodcut. Kakemono-e. [200-300]
38 TWO 20TH CENTURY JAPANESE COLOR WOODCUTS. Kawase Bunjiro Hasui (1883-1957), Honda Shinkawata in Bishu Provence, 1935, [Narazaki 191]; and Tsuchiya Koitsu (1870-1949), Harbor Scene. Each, oban tate. [150-250]
39 KAWASE BUNJIRO HASUI (Jap., 1883-1957). Two color woodcuts. [Narazaki 175;445]. Rainy Night at Maekawa, 1932; and Chii Mountain Temple, 1940. Each, oban tate. [200-300]
40 KAWASE BUNJIRO HASUI (Jap., 1883-1957). Two color woodcuts. [Narazaki 173;240]. Shinagawa, 1931; and Zentsu Temple in Sanshu District, 1937. Each, oban tate. [200-300]
41 TWO 20TH CENTURY JAPANESE COLOR WOODCUTS. E. Kotozuka, Along the River; Artist unknown, Figures in a Landscape. One, oban tate, one oban yoko. [75-100]
42 WILLY SEILER (Jap., 20th cent.). Four color soft ground etchings. Rice Harvest, Farmer Returning from Work; Japanese Rice Farmer and Fisherwomen Dragging Net. Each, approx.: 8 3/4" x 11 3/4". [200-300]
43 19TH CENTURY JAPANESE SCHOOL. Cranes. Two-panel screen. Ink, color and gold leaf on paper. Overall, 54 1/2" x 51". [1,000-1,500]
44 ATTRIBUTED TO WANG HUI (Chin., 1632-1717). Extensive Landscape with Figures. Ink and color on silk. 52 1/2" x 22". [1,000-1,500]
45 18TH CENTURY CHINESE SCHOOL. Wife of Mandarin. Ink and color on paper. 62 1/2" x 38 3/4". [500-750]
46 INDIAN SCHOOL. Portrait of the Moghul Prince, Aurangazib. With, Flower verso. Miniature gouache on paper. 10 1/4" x 6 3/4". Note: With "Chemould", New Delhi label on reverse. [300-400]
47 INDIAN SCHOOL. Lady with Attendants. Miniature gouache on paper. 10 1/4" x 7 5/8". [300-400]
48 TWO 17TH CENTURY CONTINENTAL ILLUMINATED VELLUM HYMNAL LEAVES. Each, sight size: 24 3/4" x 17 1/4". [300-500]
49 18TH CENTURY CONTINENTAL SCHOOL. Antony of Padua. Oil on canvas. 14 1/8" x 10 3/4". [300-500]
50 H.L. BERNARDUS ROZY (Dan., ac. 1840). Cte. Courtois. Signed, "Rozy" and titled l.r. Ink and wash on paper. 3 15/16" x 3 1/4". Prov.: Le Bocage Vert Gallery, Lafayette, Louisiana. [100-200]
51 THREE 18TH-19TH CENTURY EUROPEAN WATERCOLORS ON PAPER. S. RINGGOLD SCHLEY (19th cent.), Boatyard, signed, dedicated and dated, "Juillet 1856"; and 18TH-19TH CENTURY ENGLISH SCHOOL, Maidservant with Basket and Laborer with Scythe. Largest, 7 3/8" x 10". [200-300]
52 AFTER JEAN FRANCOIS MILLET (Fr., 1814-1875). The Angelus. Oil on canvas. 17" x 24". Note: After the original in the Louvre, Paris. [200-300]
53 19TH CENTURY CONTINENTAL SCHOOL. Holy Family. Oil on canvas. 30 1/8" x 19 3/4". [700-900]
54 AFTER CHARLES LOUIS LUCIEN MULLER (Fr., 1815-1892). Charlotte Corday in Prison. Charcoal on paper laid on board. Sight size: 30 3/4" x 24 3/4". Note: After the original by Muller formerly in the Corcoran Gallery of Art, Washington, D.C. [500-700]
55 L. PESANO (It., 19th cent.). Castle on a Hillside. Signed, "L. Pesano" l.l. Oil on canvas. 8" x 13 1/4". [300-400]
56 19TH CENTURY ENGLISH SCHOOL. Lady in Interior. Oil on canvas. 22 3/4" x 18 3/4". [400-600]
57 19TH CENTURY NORTHERN EUROPEAN SCHOOL. Lady and Gentleman in an Extensive Landscape. Ink and wash on paper. Sight size: 10 3/8" x 13 5/8". [100-150]
58 M. GOTZFRIED (Ger., 19th cent.). Der Herr Artuur. Signed, "M. Gotzfried" u.l.; also signed, titled and located, "Munchen" on reverse. Oil on panel. 5 3/8" x 4 1/4". [200-300]
59 SAMUEL A. MULHOLLAND (Eng., 19th cent.). Fishing Boats off the Shore. Signed, "S.A. Mulholland" l.l. Watercolor and gouache on paper laid on paperboard. 16 1/2" x 26 5/8". [500-750]
60 19TH CENTURY GERMAN SCHOOL. Boaters Along the Shore. Oil on canvas. 14 1/4" x 18 3/4". [125-175]
61 KARL KWITSCHALA (19th-20th cent.). Village Scene. Signed, located and dated, "C. Kwitschala/Celledizzo/1918" and "Kwitschala Karl 1918" l.r. Watercolor on paper laid on illustration board. 13 1/2" x 20 5/8". [250-300]
62 EDUARD JOSEF MULLER (Ger., b. 1851). Sailboats on a River. Signed, "Ed. J. Muller" l.r. Watercolor on paper. Sight size: 3 5/8" x 4 1/4". [100-200]
63 W. PISKORSKI (Cont., 19th-20th cent.). Village in Winter. Signed, "W. Piskorski" l.l. Oil on board. 6 3/8" x 8 7/8". [100-150]
64 19TH-20TH CENTURY ARTIST UNKNOWN. Vase of Mixed Flowers. Oil on canvas. 28 1/2" x 23 1/4". [150-200]
65 G. GIANNI (It., 19th-20th cent.). Fishermen in an Estuary. Signed and dated, "G. Gianni 1901" l.l. Gouache on paper. 5" x 13". [150-200]
66 FRIEDRICH W. MOOK (Ger., b. 1888). Nature Morte. Signed with artist's monogram and dated '10 u.l.; also inscribed on label affixed to reverse. Oil on canvas. 18 3/8" x 21 1/4". [500-750]
67 S. SEEBERGER (Fr., d. 1939). Orthodox Jew with Tefillin. Signed, S. Seeberger" l.l.; also with "Chalmel," Paris stretcher stencil. Oil on canvas. 16 1/8" x 13". [300-500]
68 RUDOLF PREUSS (Aus., 1879-1961). S. Spirito, Florenz. Signed, "R. Preuss", dated Mai 1913 and located l.l. Watercolor on paper. 6 7/8" x 8 7/8". [300-400]
69 SIR HENRY GEORGE RUSHBURY (Eng., 1889-1968). Anciens Bains. Charcoal and wash on paper laid on illustration board. 11 3/4" x 16 15/16". [400-500]
The following thirteen lots are Artworks by
Viktor Planckh (Aus., 1904-1941).


70 Three watercolors over pencil on paper. Entwurf fur Eine Holzplastik; Russisch Bauerin; and Sitzendes Maedchen. Each signed, "V. Planckh"; each also with estate stamp and label on reverse. Largest, 13 1/2" x 21". [250-300]
71 Eleven charcoal drawings on paper. Most signed with initials, "V.P." Figuren. Various sizes. [200-300]
72 Five drawings on paper. Topfer; Beckengasse; Ottendorterstrasse; Sitzende Akt am Fenster; and Bauernmadchen. Three signed, "V. Planckh"; three with label on reverse; each with estate stamp on reverse. Pencil, charcoal and ink on paper. Various sizes. [300-400]
73 Ten drawings on paper. Figuren(10). Pencil, ink, charcoal and sepia chalk. Some signed, "V. Planckh" or "V.P." Various sizes. [200-300]
74 Ten drawings on paper. Including: Dame; Frau mit Fruchte Korb and Entwurf fur Relief. Pencil, charcoal and ink. Some signed, "V. Planckh" and with estate stamp and label on reverse. Various sizes. [200-300]
75 Ten drawings on paper. Including: Frau; Zwei Menschen; Merry Christmas and Selbst Portrait. Pencil, charcoal and ink. Some signed, "V. Planckh" and with estate stamp and label on reverse. Various sizes. [200-300]
76 Ten drawings on paper. Figuren(9); and Stier. Pencil, ink and wash. Various sizes. [200-300]
77 Five watercolors and gouache on paper. Frau(3); Sommer Idee fur Fresko and Figuren. Two signed with initials, "V.P."; four with estate stamp; three with label on reverse. Largest, 13" x 19 1/4". [300-400]
78 Aktstudie. Signed, titled and dated, "Akstudie/V. Planckh 1940" u.r.; also with estate stamp and label on reverse. Charcoal, pastel and wash on paper. 15" x 20". [200-300]
79 Nine prints; eight etchings and one linocut. Including: Serbe mit Glas, 1929; Mutter und kind, 1937; Der Linkshandlge Zimmermann Karl, 1937; Auktion, 1937. Five pencil signed, four also titled and dated, one also inscribed, in the margin. Various sizes. [250-300]
80 Five etchings from the Krieg und Frieden series. Krieg; Paar in Gras; Madchen mit Blumenstraub; Vier Zahlen; Frau mit Kind. Two pencil signed, titled and dated in the margin. Various sizes. [200-300]
81 Twelve etchings. Including, Rast; Volkscafe; Bier; and Lanfer. Six pencil signed and titled in the margin. Various sizes. [200-300]
82 Nineteen linocuts. Including, Studie(3). Fifteen pencil signed in the margin. Various sizes. [200-300]
83 P. PARDI (It., 20th cent.). Lavandaia and Rustico in Montagna. Pair oils on board. Each signed, "P. Pardi" l.l. and titled on reverse. Larger, 5 7/8" x 8". [150-200]
84 THREE 20TH CENTURY ITALIAN TEMPERAS. A. MARIANI, Landscape(2), each signed indistincly; and L. CARGNEL, Canal View, signed indistincly. Each, sight size: 2 5/8" x 4 5/8". [200-300]
85 ETIENNE RET (Fr./Am., b. 1900). La Rade. Signed, "Etienne Ret" u.l.; also titled on reverse. Oil on board. 12" x 32 1/2". [100-200]
86 MIROSLAV KUCERA (Czech., b. 1910). Winter Landscape. Signed, "M. Kucera" l.r. Oil on canvas. 20" x 24". [100-200]
87 *** ALVAREZ (20th cent.). Street Scene. Signed, "Alvarez" l.r. Oil on canvas. 20" x 23 7/8". [200-300]
88 19TH CENTURY AMERICAN SCHOOL. Boy with Hoop. Ink silhouette on paper. 5 1/16" x 4". [200-300]
89 M. L.(S?) SCHNEIDER (Am., 19th cent.). Portrait of a Young Child. Signed and dated, "M.L.(S?) Schneider 1888" l.r. Oil on canvas. 17" x 14 7/8". [200-300]
90 19TH CENTURY AMERICAN SCHOOL. Landscape with Brook. Oil on canvas. 14" x 10". [200-300]
91 19TH CENTURY AMERICAN SCHOOL. Portrait of a Dog. Oil on canvas. 16" x 12". [100-150]
92 J** M** D** (Am., 19th cent.). White Roses and Lilacs. Signed with initials, "J.M.D." and dated 08 l.r. Oil on canvas. 16" x 20". [100-200]
93 GEORGE H. MOWE (Am., 19th cent.). Sailboats along the Shore. Signed and dated, "Geo. H. Mowe Artist Jan 7th 1874" on reverse. Oil on canvas. 12" x 10 1/4". [300-400]
94 F. PEDDICORD (Am., 19th cent.). Spinning Yarn. Signed and dated, "F. Peddicord 1892" l.r. Oil on canvas. 13 3/4" x 19". [200-300]
95 19TH CENTURY AMERICAN SCHOOL. A Narrow Escape. Oil on canvas. 23" x 13 1/2". [100-200]
96 19TH CENTURY AMERICAN SCHOOL. Under Full Sail. Oil on canvas. 18" x 25". [200-300]
97 19TH CENTURY AMERICAN SCHOOL. Autumn Riverscape. Oil on canvas. 14" x 21 7/8". [100-200]
98 LILLIAN H. EDMONDS (Am., 19th cent.). Still Life of Violin and Sheet Music. Signed, "Lillian H. Edmonds" l.l.; also with "F. Weber & Co., Baltimore" preparer's stencil on reverse. Oil on canvas. 20" x 30 1/4". [500-700]
99 19TH CENTURY AMERICAN ARTIST UNKNOWN. Autumn Landscape. Signed and dated indistinctly l.r. Oil on canvas. 25" x 34 3/4". [400-600]
100 19TH CENTURY AMERICAN OR ENGLISH SCHOOL. Venice. Oil on canvas. 11 7/8" x 16 5/8". [100-200]
101 19TH CENTURY AMERICAN SCHOOL. Herder at Rest. Oil on canvas. 20" x 14". [100-150]
102 19TH CENTURY AMERICAN SCHOOL. Pair oils on board. Landscapes(2). Each, 8 5/8" x 6 5/8". [150-250]
103 J** R** (Am., 19th-20th cent.). Landscapes (2). Each signed with initials, "J.R." Pair oils on canvas. One, 14 1/8" x 17 3/4"; one, 16" x 20". [200-300]
104 A. M. BECKER (Am., 19th-20th cent.). Boats at Sea. Signed and dated, "A.M. Becker 1909" l.r. Oil on canvas. 10" x 8". [100-150]
105 M.E. REYNOLDS (Am., 19th-20th cent.). On the Scent. Signed and dated, "M.E. Reynolds 1899" l.l.; and with "F.W. Devoe & Co.," N.Y. preparer's stencil on reverse. Oil on canvas. 12" x 18". [300-400]
106 CHARLES A. WATSON (Am., 1857-1923). The Breakers at Dusk. Signed, "C.A. Watson" l.l. Oil on board. 8" x 10". [300-400]
107 19TH-20TH CENTURY ARTIST UNKNOWN. Vase of Chrysanthemums. Signed illegibly l.r. Oil on canvas. 20" x 16". [100-150]
108 G. GANDENBERGER (Am., 19th-20th cent.). Yellow Roses. Signed and dated, "G. Gandenberger 1917" l.l. Reverse painting on glass. 16" x 12". [125-175]
109 A. H. WELLS (Am., 20th cent.). Daisies. Signed, "A.H. Wells" l.l. Oil on canvas. 20" x 16". [100-150]
110 RUEL PARDEE TOLMAN (Am., 1878-1954). Mr. Julius Morris. Signed with initial "T" l.l., also with part of exhibition label on reverse. Oil on board. 12 3/4" x 10". Note: A Washington, D.C. artist, Tolman taught at the Corcoran School of Art from 1906-1918, and was director of the National Collection of Fine Arts from 1946-1948 (ref.: Andrew J. Cosentino and Henry H. Glassie; The Capital Image: Painters in Washington, 1800-1915, Smithsonian Institution Press, Washington, D.C. 1983, p. 276). [300-400]
111 JANET RIOCH (Am., 20th cent.). Incoming Tide: Provincetown. Oil on canvas. 16" x 18". Exhib.: American Physicians Art Association, Third Annual Art Exhibition, June 10-14, 1940. [200-300]
112 LAURA M. GREENWOOD (Am., 1897-1951). Still Life of Flowers and Porcelain Head. Signed, "L. Greenwood" l.r. Oil on canvas. 20" x 16 1/4". [300-400]
113 MARY WORTHINGTON CRUMMER (Am., 20th cent.). In the Park. Signed, "Mary Crummer" l.r.; also with "American Art Week Exhibition" label on reverse. Oil on canvas laid on board. 8" x 10". [300-500]
114 MARK S. JOFFE (Am., 1864-1941). Flowers in a Vase. Signed, "M.S. Joffe" l.l. and l.r. Oil on canvas. 33" x 25". [300-400]
115 WILLIAM STEENE (Am., 1888-1965). Portrait Mrs. Frank Swadley (nee Betty Ethel Honicon). Signed, "William Steene" l.l.; also signed, inscribed and located, "Winston-Salem, N.C." on reverse. Oil on canvas. 36" x 28". Note: The sitter was a former Society columnist for the Washington Post. The artist studied with Chase and Henri. His murals can be found throughout the West and South, including in the Court House, Tulsa, the Washington County Court House, Arkansas, and colleges and institutions throughout Georgia and North Carolina (ref.: Who Was Who is American Art, 1985, p.593). [300-500]
116 JOE T. KAUFFMAN (Am., b. 1911). Houses by a River. Signed, "Joe T. Kauffman" l.r. Oil on canvasboard. 22" x 19". [300-400]
117 P. HAMMOND (Am., 20th cent.). Bear and Cub. Signed and dated, "P. Hammond 1970" l.r. Oil on canvas. 14" x 10" [100-200]
118 SAMUEL BALDWIN PRATT (Am., b. 1903). Winter Landscape. Signed and dated, "Samuel B. Pratt 70" l.r. Oil on board. 25 7/8" x 39 7/8". [400-600]
119 ARTHUR W. MOORE (Am., 1840-1913). Two watercolors on paper. Birches and Oaks. Each signed, "A.W. Moore". Larger, sight size: 13" x 22". [200-300]
120-125 NO LOTS

126 FIVE PIECES AFRICAN IVORY. Bust of woman, two bracelets, three plaques carved to depict bust. Largest, H: 6 3/4". [100-200]
127 NATIVE AMERICAN SPIRIT BAG. Leather with multicolor beads. L: 14". [100-200]
128 AMERICAN INDIAN BEADED, PAINTED AND FRINGED CIRCULAR HIDE. Painted with four Native American faces. D: 30 1/2". [200-400]
129 THREE BRASS SCALES. Tallest, H: 10". [300-400]
130 TWELVE METAL ITEMS. Three still banks, toy rocker, 3 small flat irons, 5 large flat irons. Bank, H: 4 1/2". [100-150]
131 CONTINENTAL COPPER AND IRON POT. [75-100]
132 CONTINENTAL BRASS OVAL JARDINIERE. Repousse urn and floral decoration. L: 13", H: 6". [100-150]
133 FOUR PIECES CONTINENTAL BRASS. Two trays, footed creamer and samovar. H: 10 1/2". [100-200]
134 CONTINENTAL BRASS SAMOVAR. With tray. Samovar, H: 16 1/2". Tray, D: 15 1/2". [150-250]
135 VICTORIAN SPELTER BANQUET LAMP. Fashioned as a putto holding an orb holding a mint green glass shade. Without shade, H: 22". [200-300]
136 PAIR CONTINENTAL BRASS CANDLESTICKS. Fitted as lamps. [100-150]
137 TWO BRASS STUDENT LAMPS. Milk glass shades. Tallest, H: 25". [300-400]
138 CONTINENTAL BRASS CANDLESTICK LAMP. With hexagonal base. H: 24". [200-300]
139 VICTORIAN "GONE WITH THE WIND" STYLE OIL LAMP. Rose decoration on cranberry painted milk glass. Electrified. H: 24". [200-300]
140 PAIR CONTINENTAL GILT METAL THREE LIGHT SCONCES. Hung with prisms. Electrified. H: 22". [150-250]
141 TWO PIECES EASTERN EUROPEAN BRASS. A rectangular casket with incised floral and geometric decoration, L: 13 1/2"; a circular bettle box with pierced crescent and floral decoration, D: 14". [200-300]
142 SIX CONTINENTAL BRASS CANDLESTICKS. Low conical form with wide mouth and square four legged base. H: 3". [150-200]
143 THREE CONTINENTAL BRASS SEVEN LIGHT CANDELABRA. With adjustable arms and standard. H: 21". [300-500]
144 FOUR CONTINENTAL GILT BRASS BAROQUE STYLE ALTAR STICKS. Fluted columnar standard and cup. Trififd foot with relief portraits of the Holy Family. H: 26 1/2". [300-500]
145 PAIR RENAISSANCE STYLE TWO-LIGHT BRASS SWING ARM SCONCES. L: 8". [100-200]
146 THREE CONTINENTAL BRASS CANDLESTICKS. Pair columnar form with dish form base and turned legs, H: 8 1/2", and single columnar form with sqaure feet. H: 11 3/4". [100-150]
147 THREE ENGLISH BRASS PUSH-UP CANDLESTICKS. Pair columnar form with square foot, H: 6", and single baluster form, H: 8 1/4". [100-150]
148 VICTORIAN WALNUT DOLL'S BED. H: 22", W: 16 1/2", L: 25". [100-200]
149 TWO PIECES CHILDREN'S FURNITURE. High chair and sled. [100-150]
150 VICTORIAN PULL TOY HORSE. (As is). L: 26, H: 26 1/2". [150-250]
151 H.C. WHITE CO. KIDDIE-KART WOODEN WAGON. With painted red metal and rubber rimmed wheels. L: 20". [100-150]
152 SIMON & HALBIG BISQUE HEAD DOLL. With composition jointed body. L: 29". [150-250]
153 AMERICAN WOVEN WOOL OVERSHOT COVERLET. Red, white, and brown geometric design. 80" x 66". [150-200]
154 AMERICAN PIECED COTTON QUILT. Dated 1820. Star design. As is. 99" x 86". [100-150]
155 VICTORIAN EMBROIDERED VELVET PANEL. Depicting swans and palm trees with gilt frame. With frame, 23 1/2" x 36 1/4". [150-250]
156 FIVE FRAMED ARTICLES. Victorian bead encrusted lithograph of a young girl, gilt framed; overall, 17 1/2" x 15 1/2". Together with four needlepoint pictures, a coastal landscape in oak frame; overall, 23 3/4" x 35 1/2"; Two fruit still lifes, one in oak frame; overall, 26" x 20 1/2"; one gesso framed, overall 27" x 24", and a petit pointe Italian landscape with gilt frame, overall, 15 1/2 x 12". [400-500]
157 AMERICAN COPPER BED WARMER. L: 47". [100-200]
158 TWO CONTINENTAL CARVED WOOD ORNAMENTS. [100-150]
159 CARL SORENSEN BRONZE TRAY. Circular with verigated patina, gilt berry and foliate handles. D: 14 1/4".
160 FRENCH BRASS INKWELL AND BLOTTER. With floral decoration. L: 6". [150-200]
161 APPROXIMATELY FIFTY VINTAGE KITCHEN UTENSILS. [200-400]
162 TWO AMERICAN TIN CANDLE MOLDS. One 24", one 12". Together with a tin push-up candlestick. H: 10". [100-200]
163 PAIR COPPER COLLANDERS. D: 12". [100-150]
164 THREE BRASS PAILS. Iron handles. Larger, D: 15 1/2". [200-300]
165 TWO BRASS PAILS. Iron handles. Largest, D: 13". [150-250]
166 THREE PIECES COPPER. Kettle, water urn marked "Masons", and jug. Tallest, H: 14". [150-250]
167 ENGLISH "NEW ERA" DISC CHURN. Made by The Disc Churn, Co., London. Wood and metal construction. Overall, 23" x 17". [200-300]
168 CONTINENTAL SCALE MODEL OF A WOODEN TWO PERSON BUTTER CHURN. Made in Holland. Overall, 11" x 8 3/4". [100-150]
169 BRASS PROPELLER. 22" diameter, 6 pitch. Purchased in Novia Scotia. [150-250]
170 W. LUDOLPH SEXTANT. C. 1959. With wooden box. [300-500]
171 CRICHTON LONDON IVORY INLAID EBONY FRAME, BRASS FITTED QUADRANT. Box marked "Capt. John Campbell". [600-800]
172 DORY COMPASS. Mounted in wooden box. Box, 4 1/2" square. [100-150]
173 SEVEN LIFT WOODEN HALF HULL. Mounted on wall plaque. L: 22". [150-250]
174 FOUR LIFT RED AND WHITE WOODEN HALF HULL. Mounted on wall plaque. L: 19 1/2". [150-250]
175 FOUR LIFT GREEN AND WHITE HALF HULL. Mounted on wall plaque. L: 32 1/2". [150-250]
176 CANADIAN WOODEN MODEL OF THE HENRY FORD. C. 1920's. Possibly a dock yard model. Note: The Henry Ford was built to compete with the Blue Nose. L: 40", H: 43 1/4". [600-800]
177 TWO SPANISH PORCELAIN FIGURES. Lladro figure of woman. Nao figure of boy at helm. Larger, H: 9". [100-150]
178 THREE NAO PORCELAIN FIGURINES. Girl with slice of cake, girl with pig, girl with flower basket. Tallest, H: 7 3/4". [100-150]
179 THREE NAO PORCELAIN FIGURINES. Girl on telephone with dalmation, girl wearing tiara, girl with doll. Tallest, H: 11 1/4". [150-200]
180 THREE NAO PORCELAIN FIGURINES OF GIRLS WITH WIDE BRIMMED HATS. H: 9 1/2". [150-200]
181 FOUR NAO PORCELAIN FIGURINES. Boy on telephone with teddy bear and toy dog, girl with cake, girl with book pack, and girl with bass violin. Tallest, H: 7 3/4". [150-200]
182 THREE NAO PORCELAIN FIGURINES. Boy with rabbit, two of girls with puppy. Tallest, H: 6 1/4". [150-200]
183 FOUR NAO PORCELAIN FIGURINES. Boy holding puppy, girl holding basket and petting dog, boy and girl with candle and boy with fly swatter. Tallest, H: 11 1/4". [200-300]
184 FOUR NAO PORCELAIN FIGURINES. Kneeling girl with puppy on her lap, girl with basket, girl with puppy and blanket, and girl with torn night gown. Tallest, H: 11 1/4". [200-300]
185 SEVEN PIECE NIPPON PORCELAIN NUT SET. Oval serving dish and 6 miniature bowls. With swan decoration. L: 12 3/4". [100-125]
186 GERMAN POLYCHROME PEWTER MOUNTED STONEWARE STEIN. Dated 1896. Molded with a tavern scene on blue and beige ground, with music box at base. H: 12". [300-400]
187 GERMAN POLYCHROME PEWTER MOUNTED STONEWARE STEIN. Molded to depict architectural and figural decoration. H: 10". [150-250]
188 HEREND PORCELAIN FIGURE OF A RABBIT. Orange and white. H: 4 1/4". [125-175]
189 ELEVEN LIMOGES PORCELAIN PLATES. One cake plate and 10 dessert plates. With pheasant and tree central design, berry and leaf rim decoration, and gilt trim. Cake plates, D: 10 3/4". [100-150]
190 TEN FRENCH PORCELAIN DESSERT PLATES. With transfer decoration depicting Proverbs. [100-200]
191 THREE CONTINENTAL PORCELAIN FAIRING BOXES. (As is). One depicting two girls with dog, two mother and child. L: 5". [100-150]
192 THIRTY SEVEN CONTINENTAL MONOCHROME WHITE PORCELAIN WINE BARREL LABELS. L: 5". [200-300]
193 CONTINENTAL PORCELAIN TWO LOBED HANDLED DISH. Floral and pebbled decoration. W: 13". [75-100]
194 EIGHT CONTINENTAL PORCELAIN PLATES. Center medallion depicting neo-classical style scene on pink and blue ground, decorated with 22K gold. D: 10 3/4". [300-400]
195 PAIR CONTINENTAL BLUE AND WHITE PORCELAIN CHARGERS. Each depicting man and woman in horse drawn carriage. D: 15 1/2". [100-200]
196 CONTINENTAL PORCELAIN CAKE PLATE. Center medallion depicting neo-classical style figures, border with figures in 18th century costume. Gilt and fuscia ground. Framed. Plate, D: 12 3/4". [100-200]
197 TWO GERMAN PORCELAIN FIGURES OF FEMALE DANCERS. Each in floral decorated peasant costume and raised on an oval plinth. H: 12". [150-250]
198 TWO BAVARIAN PORCELAIN PIPES. One molded as a man holding keg, other decorated with mountaineer. L: 4". [100-200]
199 PLAUE PORCELAIN COMPOTE. Rococo style base supporting three bowls and elevated center bowl with pierced rims and applied floral decoration. H: 12". [200-300]
200 PLAUE MONOCHROME WHITE PORCELAIN DOUBLE LOBED CENTERPIECE. With two fully molded pea fowl and applied floral decoration. L: 15". [150-250]
201 TWO PIECES PLAUE PORCELAIN. Two-light candelabra with fully molded neo-classical style woman; cache pot with two fully molded pea fowl. Larger, H: 8". [150-250]
202 SIXTY-NINE PIECE HUTSCHENREUTHER "SYLVIA" PATTERN PORCELAIN DINNER SERVICE. Blue underglaze floral spray on rococo style white scalloped plates with gilt rim. Including twelve dinner plates, 12 bread plates, 12 dessert plates, 12 berry bowls, 8 cups, 12 saucers, and covered tureen. [300-500]
203 ROYAL WETTINA AUSTRIAN POTTERY EWER. Decorated with gypsy portrait. H: 20". [75-125]
204 FIFTEEN PIECE GERMAN PORCELAIN TEA SET. Fruit decoration. Teapot, covered sugar, creamer, 6 cups and 6 saucers. [100-150]
205 SIX BAVARIAN "BLACK KNIGHT" PORCELAIN DINNER PLATES. Marked Hohenberg, Bavaria. With floral and foliate design on cream and mint green ground. D: 10 1/4". [100-150]
206 BONN ORMOLU MOUNTED PORCELAIN URN. Painted with allover floral decoration mounts including two foliate handles, fully cast figure of a putti on side and a finial in the form of Pan. H: 19". [200-300]
207 SEVEN PIECES GERMAN BLUE ONION PORCELAIN. Marked "Meissen" in oval. Reticulated basket and six plates. Largest, L: 10". [100-200]
208 FOUR PIECES HEREND PORCELAIN SMOKING SET. Including covered box, match book cover, cigarette stand, and tray. L: 4". [200-300]
209 FOUR PIECE HEREND PORCELAIN SMOKING SET. Green vine decoration. Covered box, match book cover, cigarette stand and tray, L: 4". All in fitted presentation box. [200-300]
210 FIVE GERMAN STONEWARE STEINS. Tallest, H: 11". [100-200]
211 CONTINENTAL CHALKWARE FIGURE OF A CAVALIER. H: 27". [100-200]
212 ART NOUVEAU PATINATED BRONZE CHALKWARE FIGURE OF A STANDING FEMALE HOLDING JUG. H: 48 1/4". [250-350]
213 TWO PIECES ITALIAN POTTERY. Covered hexagonal box with paw feet and classical molded decoration and a reticulated basket. L: 11". [100-150]
214 ROUEN FAIENCE OCTAGONAL TWO HANDLED DISH. Central floral basket decoration. D: 9 3/4". [200-300]
215 CONTINENTAL FAIENCE GOBLET. Together with a blue and white peach form tea pot and tray. L: 10 1/2". [200-300]
216 FOUR PIECES CONTINENTAL FAIENCE. Tureen, pot (no lid) "as is", and two ramekins. [100-150]
217 TWO PIECES CONTINENTAL FAIENCE holy water font and figure of the virgin. [200-300]
218 F. WINKLE AND CO. FENTON FAIENCE TWO HANDLED VASE. H: 17 1/2". [200-300]
219 PAIR CONTINENTAL FAIENCE MIRRORS. Molded with foliate decoration, painted with floral decoration. H: 31". [2,000-3,000]
220 FORTY-EIGHT LENOX "LOWELL" PATTERN PARTIAL PORCELAIN DINNER SERVICE. Ten salad plates, 8 dinner plates, 12 cups and saucers, and 6 bread plates. Dinner plate, D: 10 1/2". [300-500]
221 THREE PIECE LENOX PORCELAIN. Ivory ground with sterling overlay. Teapot, sugar bowl, and coffee pot. H: 8". [200-250]
222 PAIR ENGLISH LEEDS CREAMWARE PLATES. C. 1780. Painted in Holland to depict the departure and the return of the prodical son, border with floral decoration. D: 9 1/2". [900-1,200]
223 PAIR STAFFORDSHIRE POTTERY FIGURES OF KING CHARLES SPANIELS. H: 13". [300-400]
224 ITALIAN PIETRA DURA PLAQUE. 19th century. Depicting figural decoration. H: 7 3/4". [350-450]
225 PAIR STAFFORDSHIRE POTTERY FIGURES OF KING CHARLES SPANIELS. H: 7 3/4". [300-400]
226 MINTON GLAZED POTTERY TILE. Label indicating that it was removed from the U.S. Capitol in 1994 and installed there in 1820. 5 3/4" sq. With mahogany frame. [100-200]
227 AMERICAN MAJOLICA PLATE. Dog decoration. L: 11". [100-200]
228 THREE PAIR STAFFORDSHIRE POTTERY FIGURES OF KING CHARLES SPANIELS. Tallest, H: 5 1/2". [300-400]
229 TWO STAFFORDSHIRE POTTERY FIGURES OF KING CHARLES SPANIELS. Non-matching. Taller, H; 7 1/2". [100-150]
230 ETRUSCAN MAJOLICA BEGONIA LEAF. L: 12". [100-125]
231 EIGHT ENGLISH COPPER LUSTRE PITCHERS. Tallest, H: 7 3/4". [200-400]
232 ENGLISH BLUE AND WHITE PEARLWARE PLATTER. Chinoiserie scene. L: 18 1/2". [300-400]
233 ENGLISH PORCELAIN CAKE PLATE. Chartreuse rim and central floral spray. L: 11 1/2". [75-100]
234 CREAMWARE BASKET. As is. D: 7". Together with two chinoiserie transfer decorated cups. [100-200]
235 PAIR ASHWORTH IRONSTONE COVERED TUREENS. Underglaze blue with Imari style decoration. L: 12". [300-500]
236 ENGLISH TRANSFER DECORATED ALPHABET PLATE. With grisaille decoration of the Capitol at Washington, D.C. D: 6 1/2". [50-75]
237 SEVEN ENGLISH PITCHERS. Two majolica , one Belleek, two salt glazed, two ironstone. Tallest, H: 7 1/2". [100-200]
238 FORTY-SEVEN PIECES WEDGWOOD QUEENS-WARE. Raised blue vine decoration on ivory ground. Oval serving dish, 8 plates, 8 salad plates, ash tray, spill vase, creamer, 8 cups and saucers, 6 bread plates, and 5 bowls. Plate, D: 10". [200-400]
239 WEDGWOOD JASPERWARE PITCHER. Neo-classical decoration on blue ground. H: 7 1/2". [100-125]
240 EIGHT PIECES WEDGWOOD LIGHT BLUE JASPERWARE. Pitcher, jardiniere, vase, covered box, and four dishes. Pitcher, H: 5". [100-200]
241 TWELVE WEDGWOOD & BARLASTON OF ETRURIA MONOCHROME GREEN CABBAGE LEAF SALAD PLATES. D: 8". [100-125]
242 FOURTEEN MINTON PORCELAIN SERVICE PLATES. Wide cobalt and gilt rim. D: 10". [200-400]
243 ONE HUNDRED SIXTY PIECES MINTON "PRINCESS" PATTERN PORCELAIN DINNER SERVICE. Including 14 dinner plates, 26 salad plates, 14 bread plates, 25 cups, 14 bouillion cups, 40 saucers, 13 demitasse cups, and 14 saucers. Plate, D: 10 1/4". [1,000-1,500]
244 FORTY-SEVEN PIECES ROYAL CROWN DERBY "ROUGEMONT" PATTERN PORCELAIN. Eight cups and saucers, 8 dinner plates, 7 dessert plates, 9 bread plates, and oval bowl. Plate, D: 10 1/2". [400-500]
245 DAVENPORT IMARI PORCELAIN TEA SERVICE. Teapot, creamer, covered sugar, 4 cups and saucers, tray. Tray, L: 18". [400-600]
246 TWELVE CAULDON PORCELAIN CABINET PLATES. Retailed by Davis Collamore & Co. Each with center medallion depicting portrait of French noblewoman identified on verso. The cavetto and rim with gilt, green, yellow, and white enamel foliate and floral decoration on pompador pink ground. D: 10". [2,000-3,000]
247 "SEVRES" PORCELAIN BOX. Cartouche depicting figure in landscape on cobalt blue ground with gilt foliate decoration. L: 5 3/4". [300-500]
248 COALPORT PORCELAIN COVERED BOX. Fan shaped with lake scene decoration. L: 6". [400-600]
249-250 NO LOTS

251 CHINESE ROSEWOOD RECTANGULAR PLANT STAND. Late 19th century. The molded, flush-panelled top over a concave frieze centered with foliate scrollwork, the molded square-section legs joined by a stepped box stretcher. H: 18 1/4" (46.5 cm); W: 7 3/4" (19.5 cm); D: 7 3/4" (19.5 cm). [100-150]
252 PAIR OF ANGLO-CHINESE ELMWOOD OCCASIONAL TABLES. Each rectangular top with serpentine edges, the shaped conforming frieze raised on canted, restrained cabriole legs, the arched cross stretcher supporting a conforming undertier. H: 28" (71 cm); W: 18 1/2" (47 cm); D: 13 1/2" (34 cm). [100-150]
253 ANGLO-CHINESE CARVED AND LACQUERED HARDWOOD ARMCHAIR. Circa 1900. The arched, cartouche-shaped back centered by a quatrefoil panel painted with a ho-ho bird, the serpentine-fronted solid seat similarly painted, flanked by dragon-form arms and raised on cabriole legs, carved throughout with dragons and scrolling clouds. [200-300]
254 ANGLO-CHINESE CARVED CAMPHORWOOD CHEST. The hinged rectangular lid opening to a storage well, the top and sides carved with battle scenes, raised on bracket feet. H: 22 3/4" (58 cm); W: 41 1/4" (105 cm); D: 20 1/2" (52 cm). [300-400]
255 COROMANDEL FOUR-LEAF BLACK-LACQUER AND POLYCHROME SCREEN. With figural landscapes depicting courtly ladies at various pursuits, the obverse with a floral landscape. H: 72" (183 cm); W: 63 1/2" (161.5 cm). [300-400]
256 ORIENTAL BRASS-BOUND CAMPHORWOOD TRUNK COVERED IN PAINTED LEATHER. Late 19th century. The hinged rectangular lid opening to a storage well, the exterior painted with floral panels in shaded of ivory on a red ground. H: 16 1/4" (41.5 cm); W: 34 1/2" (87.5 cm); D: 18 1/4" (46.5 cm). [300-400]
257 KOREAN PAINTED OAK RECTANGULAR LOW TABLE. 19th century. The molded rectangular, flush-panelled top raised on square-section, beaded legs with scroll feet, the carved frieze continuing into brackets. H: 17 1/2" (44.5 cm); L: 36" (91.5 cm); W: 17 1/2" (44.5 cm). [400-600]
258 CHINESE CARVED ROSEWOOD ALTAR TABLE. Late 19th century. The flush-panelled, molded rectangular top over a scroll-carved frieze carved with thousand-gift motifs, the rectangular-section end supports of open panel form. H: 34 1/2" (87.5 cm); L: 61 3/4" (157 cm); W: 16 1/2" (42 cm). [400-600]
259 CHINESE PAINTED SIDE TABLE. The molded rectangular, flush-panelled top over a front with an arrangement of three frieze drawers over four molded panels, all raised on square-section legs. H: 35" (89 cm); L: 51 3/4" (131.5 cm); W: 21 1/2" (54.5 cm). [400-600]
260 PAIR OF CHINESE ELMWOOD LOW STOOLS. Northern China, 19th century. Each molded rectangular, flush-panelled top raised on molded, square-section legs joined by an arched frieze and a molded box stretcher. H: 20 3/4" (52.5 cm); W: 20 1/4" (51.5 cm); D: 17 1/2" (44.5 cm). [500-700]
261 PAIR OF CHINESE CARVED AND LACQUERED PLANT STANDS. Northern China, 19th century. Each rectangular, flush-panelled top over a leaf-carved frieze with scroll brackets, the square-section legs joined by a similarly carved box stretcher and terminating in scroll feet. H: 33 1/2" (85 cm); W: 20 1/4" (51.5 cm); D: 14" (35.5 cm). [500-700]
262 CHINESE YELLO-PAINTED ALTAR TABLE. The molded rectangular top with upcurved ends, the shaped apron with pierced brackets carved with gwelins, each end support with a raised-and-fielded panel over a panel carved with further gwelin motifs. H: 35 1/2" (90 cm); L: 69 3/4" (177 cm); W: 15 3/4" (40 cm). [500-700]
263 CHINESE ELMWOOD MEDICINE CHEST. Northern China, 19th century. The rectangular top with a sunken panel, the front with 16 drawers, each drawer front inscribed with Chinese characters, the interior with compartments, the stile legs with brackets. H: 43 1/4" (110 cm); W: 36" (91.5 cm); D: 22" (56 cm). [600-800]
264 CHINESE BAMBOO AND ELMWOOD RECTANGULAR LOW TABLE. Northern China, 19th century. The molded rectangular top with an inset lattice-work panel, the lattice-work frieze raised on cluster legs. H: 18 1/2" (47 cm); L: 51" (129.5 cm); W: 29 3/4" (75.5 cm). [600-800]
265 ANGLO-CHINESE SCARLET-LACQUER WRITING-TABLE. The molded rectangular top painted with a figural landscape, the front with a central frieze drawer flanked on each side by two further drawers, the "kneehole" with scrolled brackets, all raised on square-section legs and decorated with floral sprays and scrollwork with black highlights. H: 32" (81.5 cm); L: 54 1/4" (138 cm); W: 24 1.2" (62 cm). [600-800]
266 ANGLO-CHINESE CARVED AND BLACK-PAINTED ETAGERE. 19th century. The outset molded cornice over a front with an arrangement of eleven open shelves centered by a shelf in the form of a curved bridge, all over three panelled drawers, raised on lion-paw feet and profusely carved with birds, flowers and foliage. H: 71 1/2" (181.5 cm); W: 56 1/2" (143.5 cm); D: 14 3/4" (37.5 cm). [600-800]
267 KOREAN RED-LACQUER BLANKET CHEST. North Korean, 19th century. The rectangular top over a hinged panel opening to a paper-lined interior, the front applied with pierced decorative mounts. H: 24" (61 cm); W: 26 1/4" (66.5 cm); D: 15" (38 cm). [600-800]
268 CHINESE ELMWOOD SQUARE LOW TABLE. Northern China, 18th/19th century. The molded rectangular, flush-panelled top raised on turned legs joined by a pierced frieze. H: 17 1/2" (44.5 cm); W: 37 1/4" (94.5 cm); D: 37 1/4" (94.5 cm). [600-800]
269 PAIR OF CHINESE PAINTED ELMWOOD OFFICIAL ARMCHAIRS. Northern China, 19th century. Each open rectangular back with a yoke-form crest rail over a bent splat, the solid seat with a molded sunken panel and outcurved arms, the molded square-section legs joined by a box stretcher. [700-900]
270 KOREAN PAINTED PINE WHITE-METAL- MOUNTED BLANKET CHEST. North Korea, 19th century. The rectangular top over a front with a hinged panel opening to a paper-lined interior with three small suspended drawers, the front and sides mounted with bail handles and decoratively engraved plates. H: 31" (79 cm); W: 33 1/2" (85 cm); D: 18 1/2" (47 cm). [700-900]
271 PAIR OF CHINESE PAINTED HORSESHOE-BACK ARMCHAIRS. Northern China, 19th century. Each curved and arched crest rail over a pierced and shaped splat and terminating in outcurved arms, the solid seat with a sunken panel, the turned legs joined by a box stretcher. [700-900]
272 ANGLO-CHINESE HARDWOOD PEDESTAL SIDEBOARD. 19th century. The molded rectangular, flush-panelled top raised on pedestals, each with two panelled drawers over a door with an arched panel, the stile feet joined by a shaped skirt, a pair of similar drawers suspended over the "kneehole". H: 39 1/2" (100.5 cm); W: 46 3/4" (119 cm); D: 15 1/2" (39.5 cm). [700-900]
273 CHINESE PINE LOW SIDE CABINET. The molded rectangular, flush-panelled top over a front with a pair of similarly panelled doors flanked on each side by a further door, all opening to shelves and applied with brass mounts, the stiles continuing into simple bracket feet. H: 27 1/2" (70 cm); W: 65 1/4" (165.5 cm); D: 18 1/2" (47 cm). [700-900]
274 CHINESE ELMWOOD TWO-DOOR CABINET. Northern China, 19th century. The rectangular top over a front with a pair of flush-panelled doors opening to shelves, two small suspended drawers and a storage well, the stile legs joined by a scroll-carved skirt. H: 75 1/2" (192 cm); W: 43" (109 cm); D: 21 1/2" (54.5 cm). [800-1,200]
275 CHINESE BLACK-LACQUER MING STYLE CABINET. Northern China, 19th century. The molded rectangular top over a front with a pair of molded and panelled doors opening to shelves and a pair of suspended drawers, the outset, turned stile legs joined by an arched and panelled skirt. H: 71 3/4" (182 cm); W: 37" (94 cm); D: 18 1/2" (52 cm). [800-1,200]
276 CHINESE BAMBOO PAINTING TABLE. Northern China, 19th century. The rectangular top over a pierced frieze filled with geometric lattice-work panels, each end raised on four legs joined by a box stretcher. H: 33" (84 cm); L: 74 1/2" (189 cm); W: 20 3/4" (552.5 cm). [900-1,200]
277 CHINESE RED-LACQUER TWO-DOOR ARMOIRE. Northern China, 18th century. The rectangular top over a front with a pair of flush-panelled doors opening to shelves and a storage well, the stile legs joined by a pierced and carved frieze. H: 70 1/2" (179 cm); W: 46 3/4" (111 cm); D: 18 3/4" (47.5 cm). [900-1,200]
278 PAIR OF CHINESE BAMBOO OFFICIAL ARMCHAIRS. Northern China, 19th century. Each stepped rectangular back centered with a lattice-work panel of Chinese characters, the arms with open panel work, the solid seat raised on cluster legs joined by a box stretcher. [900-1,200]
279 CHINESE BLACK-LACQUER PAINTING TABLE. Northern China, 19th century. The molded rectangular, flush-panelled top raised on molded square-section legs joined by a pierced scroll frieze and terminating in tapered block feet. H: 34 1/2" (87.5 cm); L: 71" (180.5 cm); W: 31 1/2" (80 cm). [1,000-1,500]
280 COROMANDEL EIGHT-LEAF FLOOR SCREEN. Wih a continuous figural landscape depicting a courtly pavillion near a lake, executed in polychrome on a gold-leaf ground, the obverse depicting a bamboo thicket. H: 84" (213.5 cm); W: 128" (325 cm). [1,000-1,500]
281 CHINESE BLACK-LACQUERED MUSIC TABLE. Northern China, 19th century. The flush-panelled, rectangular top raised on molded square-section legs with pad feet, the pierced frieze continuing into brackets. H: 34" (86 cm); L: 86" (218.5 cm); W: 18" (46 cm). [1,000-1,500]
282 ANGLO-CHINESE ROSEWOOD PARTNER'S PEDESTAL DESK. The flush-panelled rectangular top over a frieze with four panelled drawers and four opposing drawers, each pedestal with a further two drawers and two opposing drawers, the beaded square-section legs joined by a lattice-work platform stretcher. H: 33" (84 cm); W: 61 1/2" (156.5 cm); D: 28 1/4" (72 cm). Prov.: General Alexander Archer Vandegrift, stationed in China during the 1930's, the "Hero of Guadalcanal". [1,500-2,000]
283 KOREAN ELMWOOD WHITE-METAL-MOUNTED CHEST-ON-STAND. The molded rectangular top over a front with four small frieze drawers surmounting a cupboard with two panelled doors surrounded by molded panels, all over two further two-door cupboards, the stand with square-section legs terminating in cloud scrolls. H: 63 1/4" (160.5 cm); W: 41 1/4" (105.5 cm); D: 19 1/2" (49.5 cm). [1,500-2,000]
284 CHINESE BLACK-LACQUERED HARDWOOD TEMPLE ALTAR TABLE. Northern China, 19th century. The molded rectangular, flush-panelled top over a molded convex frieze continuing into molded square-section cabriole legs with pierced, foliate scroll feet. H: 35" (89 cm); L: 107 3/4" (273.5 cm); W: 20 1/2" (52 cm). [2,200-2,800]
285 PATINATED-BRONZE TABLE PEDESTAL. The baluster-shaped standard elaborately cast with floral swags, gadrooning and scrollwork, the beaded capital applied with four melusines with entwined arms, their foliate "tails" forming the support brackets, the stepped circular base raised on lion-paw feet. H: 30 3/4" (78 cm). [500-700]
286 CAST-IRON BIRD BATH. The shallow basin with a gadrooned rim mounted with two doves, the fluted, baluster-form standard raised on a circular base cast with a pierced design of roses. H: 33 1/2" (85 cm); Diam.: 19" (48 cm). [400-600]
287 THREE-TIER WIRE-WORK FERN STAND. 19th century. Comprising three graduated, scrollwork baskets with everted rims, raised on a tripod base with scroll feet. H: 57 1/2" (146 cm); Diam.: 25" (63.5 cm). [400-600]
288 PATINATED-BRONZE FIGURE OF A STANDING BULL. H: 20 3/4" (52.5 cm); L: 27" (68.5 cm). [700-900]
289 PATINATED-BRONZE FIGURE OF A YOUNG GIRL. Depicted in hip-shot pose with Classical drapery and long hair, holding her arms aloft. H: 39 1/2" (100 cm). [700-900]
290 PAIR OF CAST-IRON URN-FORM JARDINIERES. Each ribbed body with an everted undulating rim, the similarly ribbed base flanked by pierced foliate scrolls. H: 30" (76 cm); W: 31" (79 cm). [600-900]
291 BRONZE FIGURAL WALL FOUNTAIN IN THE BAROQUE TASTE. In the form of a winged putto head. H: 14" (35.5 cm); W: 30" (76 cm). [700-900]
292 PAIR OF CAST-IRON TERRACE URNS. Each lobed, campana-form body with an everted, gadrooned rim, the sides cast with rinceaux and applied with handles, the fluted socle raised on a rectangular plinth. H: 29 1/4" (74.5 cm); Diam.: 22 1/2" (57 cm). [800-1,200]
293 PAIR OF CAST-IRON LARGE GARDEN URNS AND PEDESTALS. Each of lobed campana form, the sides cast with Classical figures and applied with lion-mask handles, the square-section, tapering pedestal with panelled sides, each centered by a pair of winged putti. H: 62 1/2" (159 cm); Diam.: 31" (79 cm). [900-1,200]
294 PATINATED-BRONZE FIGURAL FOUNTAIN. Designed as a young peasant woman leaning against a stone well. H: 36" (91.5 cm). [1,000-1,200]
295 CAST-IRON FIGURAL FOUNTAIN IN THE 17TH CENTURY MANNER. The octagonal, gadrooned reservoir surmounted by a youth holding aloft a shell-form basin, all raised on a baluster-form standard cast with leaves, the octagonal base cast with foliage. H: 81 1/2" (207 cm); Diam.: 44" (112 cm). [1,000-1,500]
296 PAIR OF CAST-IRON TERRACE URNS ON PEDESTALS. Each leaf-capped campana-shaped body with an everted rim, the sides applied with Classical figures and loop handles, the fluted socle raised on a square plinth, the square-section tapering pedestal with foliate molding, the sides cast with laurel wreaths. H: 37 1/4" (94.5 cm); Diam.: 15 1/2" (39.5 cm). [1,000-1,500]
297 PATINATED-BRONZE FIGURAL TERRACE URN. The campana-shaped body with a beaded rim, the sides applied with Herculean heads mounted on lion skins, the socle raised on a square plinth. H: 27" (68.5 cm); Diam.: 24 1/2" (62 cm). [1,200-1,500]
298 PAIR OF CAST-IRON CAMPANA-FORM GARDEN URNS AND PEDESTALS IN THE LOUIS XVI STYLE. Each cast with diaper work, the socle ribbed, the square-section tapering pedestal cast with foliate arabesques. H: 42 3/4" (108.5 cm); Diam.: 19" (48.5 cm). [1,200-1,800]
299 PATINATED-BRONZE FIGURAL FOUNTAIN. Depicting a young boy astride a large fish mounted on a rocky outcrop. H: 46 3/4" (119 cm). [1,500-2,000]
300 PATINATED-BRONZE FIGURAL FOUNTAIN. Depicting a young boy with a crane, the base in the form of a rocky outcrop mounted with a turtle and a larg fish. H: 55" (139.5 cm). [2,000-3,000]
301 PAIR OF PATINATED-BRONZE SWAN-FORM FOUNTAINS. Each depicted floating on the water with outstretched neck. Tallest, H: 36" (91.5 cm). [2,000-3,000]
302 PAIR OF NEO-CLASSICAL STYLE PATINATED- BRONZE TERRACE URNS. Each campana-shaped body with an everted, petal-molded rim, the sides molded with putti bearing swags of vine, the lobed lower section mounted with ram's-head handles, the fluted socle on a square plinth. H: 30" (76 cm); Diam.: 20 1/2" (52 cm). [2,200-2,500]
303 PAIR OF NEO-CLASSICAL STYLE PATINATED- BRONZE TERRACE URNS. Each campana-shaped body with an everted, petal-molded rim, the side molded with putti bearing swags of vine, the lobed lower section mounted with ram's-head handles, the fluted socle on a square plinth. H: 30" (76 cm); Diam.: 20 1/2" (52 cm). [2,200-2,800]
304 PAIR OF BAROQUE STYLE PATINATED- BRONZE TERRACE URNS. Each leaf-capped, compressed ovoid body with an everted rim, the sides cast with masks and mounted with lioness-mask ring handles, the circular stepped base cast with flowers, ribbons and Classical medallions. H: 33 1/2" (85 cm); Diam.: 25 1/2" (65 cm). [3,000-3,500]
305 PAIR OF PATINATED-BRONZE GARDEN URNS ON PEDESTALS. Each lobed, ovoid urn mounted with florets, the sides with foliate scroll handles and raised on winged monopodi, the pedestal in the form of a fluted Corinthian column flanked by outset acanthus-cast, scrolled pilasters, the spreading circular base molded with a broad band of foliage. H: 56 1/2" (143.5 cm). [4,000-6,000]
306 PATINATED-BRONZE FIGURAL FOUNTAIN. The shallow, shell-cast basin, surmounted by a swan with outstretched wings carrying on its back a winged putto, the leaf-capped base mounted by mer-children with linked hands. H: 77 1/2" (197 cm); Diam.: 41" (104 cm). Illustrated page 32
307 PAIR OF RENAISSANCE STYLE PATINATED- BRONZE ARMORIAL LIONS. Each depicted in alert, seated position holding in front a strapwork shield centered by a sunburst, the rectangular base raised on elaborate foliate scroll legs. H: 58 3/4" (149 cm); L: 44" (112 cm). [8,000-10,000]
308 PROVINCIAL LOUIS XV CARVED PINE ARMOIRE. The arched cavetto cornice surmounted by scrolls, the conforming, panelled frieze centered by a circular cartouche, the front with a pair of doors, each with two shaped panels, opening to shelves, trays and hanging-space and flanked by rounded stiles continuing into short cabriole legs with scroll toes joined by a shaped skirt. H: 92 3/4" (235.5 cm); W: 58 3/4 (149.5 cm); D: 27 1/2" (70 cm). [1,800-2,200]
309 LOUIS XVI BOIS DE ROSE PARQUETRY AND MARQUETRY TABLE A ECRIRE A ECRAN. Mid-18th century. The rectangular serpentine-fronted top with canted front corners and a gilt-bronze edge, centered by a foliate scroll panel veneered a quatres faces and surmounted by a retractable, pleated-silk screen with a shaped crest rail and finialled posts, the shaped and concave apron with a drawer in the right side, the interior fitted with compartments, the square-section cabriole legs with bronze-dore, foliate sabots. H:36" (91.5 cm); W: 23 3/4" (60.5 cm); D: 17" (43 cm). [3,000-5,000]
310 PROVINCIAL LOUIS XV/LOUIS XVI ELMWOOD TABLE-A-ECRIRE. The rectangular top with a three-quarter gallery and serpentine front edge, the shaped frieze with a drawer, raised on square-section, restrained cabriole legs. H: 24 3/4" (63 cm); L: 27" (68.5 cm); W: 17 1/4" (44 cm). [300-500]
311 LOUIS XVI GREY-PAINTED CHILD'S FAUTEUIL EN CABRIOLET. Last quarter 18th century. The padded and splayed rectangular back flanked by fluted columnar posts issuing outcurved arms with padded elbow rests and raised on baluster-form supports, the bow-fronted stuff-over seat with conforming rails raised on turned, tapered and fluted legs, frame channelled throughout and carved with piastres, guilloche banding, paterae and lotus banding. [800-1,200]
312 NAPOLEON III CARVED ROSEWOOD PRIE- DIEU. Third quarter 19th century. The pierced cartouche-form back surmounted by a curved and padded elbow rest, the stuff-over, serpentine-fronted, sloping seat with conforming rails on short cabriole legs. [300-500]
313 PAIR OF FRENCH SECOND EMPIRE CARVED WALNUT SALON CHAIRS. Second half 19th century. Each padded rectangular back and stuff-over seat raised on molded cabriole legs with leaf-carved knees and scroll toes. [500-700]
314 LOUIS XVI STYLE AMARANTH AND SATINWOOD, PORCELAIN AND GILT-METAL-MOUNTED SIDE CABINET. The superstructure surmounted by a rectangular top with convex ends and a pierced three-quarter gallery, the front with a pair of panelled doors, the porcelain panels painted with floral urns, opening to shelves, all flanked by conforming open shelves, the outset lower section with similarly rounded ends, the conforming frieze centered by a drawer inset with three further porcelain plaques painted with floral sprays andgarlands, the tapering octagonal legs with toupie feet joined by a shaped cross stretcher, gilt-metal mounts throughout. H: 51 1/2" (131 cm); W: 41 1/2" (105.5 cm); D: 12 3/4" (32.5 cm). [1,000-1,500]
315 FINE NAPOLEON III RED TORTOISE SHELL "BOULLE" BUREAU DE DAME. Signed, "P. SORMANI/10, R. Charlot/PARIS", third quarter 19th century. The serpentine superstructure with a pierced three-quarter gallery over two small drawers, the bombe slope opening to an interior fitted with a leather-lined writing-surface and an open shelf over three serpentine-fronted, bombe drawers veneered with cube parquetry, the interior lined with bois de violette, the shaped serpentine frieze with a drawer and continuing into square-section cabriole legs with sabots, the sides similarly bombe, ebonised throughout, gilt-brass stringing, profusely inlaid with foliate panels of premiere-partie brass on a red tortoise shell ground. H: 39 1/2" (100.5 cm); W: 29 1/4" (74.5 cm); D: 18" (45.5 cm). [5,000-7,000]
316 GOOD PAIR OF NAPOLEON III GILTWOOD FAUTEUILS A LA REINE. Third quarter 19th century. Each cartouche-form padded back within a conforming frame surmounted by a carved foliate crest centered by an espagnolette, the downswept arms with padded elbow rests and scrolled terminals with back-curved supports, the serpentine-fronted stuff-over seat with conforming shaped rails centered by further espagnolettes and continuing into cabriole legs with scrolled toes, frame channelled throughout and crisply carved with feuillage, coquillage, trailing husks and beading. [5,000-7,000]
317 FRENCH BELLE-EPOQUE PAINTED AND PARCEL-GILT BEECHWOOD SALON CHAIR. Last quarter 19th century. The open rectangular back with an arched crest rail over a pierced cross-bar, the sepentine-fronted stuff-over seat raised on turned, tapered and leaf-capped legs, frame carved with foliate motifs. [100-150]
318 LOUIS XVI STYLE WALNUT CIRCULAR ONYX-TOP GUERIDON. The top with a pierced gallery, the conforming frieze raised on turned, stop-fluted legs with splayed feet joined by a platform stretcher mounted with a covered urn, gilt-metal mounts throughout. H: 18 3/4" (27.5 cm); Diam.: 12" (30.5 cm). [300-500]
319 FRENCH PROVINCIAL BIRCH CIRCULAR DROP-LEAF TABLE. The top with rule-jointed leaves, the plain frieze raised on turned and tapering legs. H: 28 3/4" (73 cm); Diam.: 42 3/4" (108.5 cm). [200-300]
320 FRENCH CARVED WALNUT CHIFFONIER IN THE RENAISSANCE TASTE. Late 19th century. The grey-veined, white marble, reverse-breakfront top backed by an arched central mirror within an architectural frame flanked on each side by open galleried shelves raised on colonettes, the front with three frieze drawers over three cupboard doors interspersed with further colonettes, all profusely carved with foliage and flower heads. H: 80 1/4" (204 cm); W: 59 1/2" (151 cm); D: 22 1/2" (57 cm). [800-1,200]
321 LOUIS XVI STYLE GILTWOOD SALON SUITE. Comprising a canape en cabriolet and two fauteuils a medaillon en suite, the canape with padded oval back surmounted by a floral crest, the outcurved arms with apdded elbow rests and scrolled terminals on back-curved supports, the bow-fronted stuff-over seat with conforming rails centered by a rose-carved panel, the turned, tapered and stop-fluted legs headed by paterae, frame channelled throughout and carved with ruban enroule and feuillage, upholstered in floral Aubusson panels. [1,000-1,500]
322 FRENCH CARVED ROSEWOOD ARMOIRE IN THE NEO-CLASSICAL TASTE. Late 19th century. The outset, molded and arched pediment surmounted by a be-ribboned scroll crest, the conforming molded door with an arched and bevelled mirror plate, flanked by free-standing, fluted columns, the base with a drawer, all raised on toupie feet. H: 93 1/4" (237 cm); W: 44 3/4" (113.5 cm); D: 20 1/2" (52 cm). [1,000-1,500]
323 FRENCH GOTHIC-REVIVAL WROUGHT-IRON TILE-TOP PEDESTAL. Third quarter 19th century. The rectangular tile top set within a conforming molded frame raised on splayed, twist-turned legs terminating above in volutes and below in paw feet, the sides filled with lattice-work panels of flowering vine. H: 38 1/2" (98 cm); W: 14 1/2" (37 cm); D: 14 1/2" (37 cm). [2,800-3,200]
324 GOOD FRENCH PAINTED AND PARCEL-GILT ONYX-TOP CONSOLE TABLE IN THE EMPIRE MANNER. Late 19th century. The rectangular, white-onyx top over a frieze carved with swan-form, foliate arabesques centered by an urn, the end supports in the form of winged female monopodi terminating in lion-paw feet, backed by a rectangular mirror flanked on each side by a carved panel, all raised on a U-shaped plinth with petal molding, painted sage green with gilt highlights. H: 37 3/4" (96 cm); L: 62 1/2" (158.5 cm); W: 173/4" (45 cm). [8,000-10,000]
325 LOUIS XVI STYLE GILTWOOD AND MARBLE- TOP OVAL OCCASIONAL TABLE. The grey-veined white-marble top over a pierced foliate frieze suspending floral swags, the turned and fluted legs joined by an X-form stretcher. H: 23" (58.5 cm); L: 29 1/2" (75 cm); W: 22" (56 cm). [300-500]
326 LOUIS XVI STYLE GILTWOOD AND CANED TABOURET. The molded rectangular top over a leaf-carved frieze, the turned, tapered and acanthus-capped legs headed by paterae and joined by an X-form stretcher, carved with ruban enroule. [300-500]
327 PROVINCIAL LOUIS XV STYLE WALNUT TABLE-A-ECRIRE. The rectangular top with canted corners and a low gallery, the front with a long drawer over two small drawers, the shaped and molded skirt continuing into molded cabriole legs. H: 28 1/2" (72.5 cm); W: 35 3/4" (91 cm); D: 17 3/4" (45 cm). [400-600]
328 TRANSITIONAL LOUIS XV/LOUIS XVI WALNUT AND PARQUETRY TABLE VITRINE. The hinged rectangular top with serpentine edges and a glazed conforming panel opening to reveal a velvet-lined interior, the shaped concave frieze continuing into square-section cabriole legs, inlaid throughout with foliate and floral arabesques, gilt-metal mounts. H: 24 1/4" (61.5 cm); W: 24" (61 cm); D: 16 1/4" (41.5 cm). [400-600]
329 TRANSITIONAL LOUIS XV/LOUIS XVI STYLE KINGWOOD AND PARQUETRY MARBLE-TOP SEMANIER. The rectangular sienna marble top with a breakfront edge and canted corners, the conforming front with seven parquetry drawers flanked by canted and crossbanded stiles continuing into short, keeled cabriole legs joined by a shaped skirt, gilt-metal chutes and sabots. H: 57 3/4" (146.5 cm); W: 29" (73.5 cm); D: 15 1/4" (39 cm). [800-1,200]
330 PAIR OF LOUIS XVI STYLE GILTWOOD FAUTEUILS A LA REINE. Each paded rectangular back within a conforming frame surmoutned by a floral crest, the downswept arms with padded elbow rests and scroll terminals on back-curved supports, the bow-fronted stuff-over seat with conforming rails raised on turned, tapered and fluted legs headed by paterae, carved throughout with fueillage and ruban enroule. [800-1,000]
331 FRENCH QUARTERED OAK RUSTIC DINING- TABLE IN THE 18TH CENTURY STYLE. The rectangular top with rounded corners, the frieze with two drawers and two opposing drawers, raised on square-section chamfered legs joined by an H-stretcher. H: 29" (74 cm); L: 79" (200.5 cm); W: 32 1/4" (82 cm). [800-1,200]
332 TRANSITIONAL LOUIS XV/LOUIS XVI AMARANTH AND PARQUETRY MARBLE-TOP COMMODE A LA REGENCE. The molded breche d'Alep rectangular top with a serpentine front and sides, the conforming front with three drawers flanked by convex stiles continuing into keeled cabriole legs joined by a shaped skirt. H: 32" (81 cm); W: 48" (122 cm); D: 20 3/4" (53 cm). [1,000-1,500]
333 LOUIS XVI STYLE GILTWOOD SALON SUITE. Comprising a canape a la Reine and two fauteuils en suite, each padded rectangular back within a conforing frame surmounted by a floral crest, the downswept arms with padded elbow rests and scroll terminals on back-curved supports, the bow-fronted stuff-over seat with conforming rails raised on turned, tapered and fluted legs headed by paterae, carved throughout with feuillage and ruban enroule, upholstered in floral Aubusson tapestry panels. [1,200-1,500]
334 LOUIS XV STYLE PAINTED COMMODE A LA REGENCE. The molded rectangular top with serpentine front and sides, the conforming front with an arrangement of two short over two long drawers flanked by keeled stiles continuing into splayed feet joined by a shaped skirt, painted throughout with floral sprays in scrolled reserves on a pale green ground. H: 36 3/4" (93 cm); W: 45 1/2" (115.5 cm); D: 21 3/4" (55 cm). [1,200-1,800]
335 FRENCH CARVED OAK SETTLE IN THE GOTHIC TASTE. Circa 1900. The arched, solid back carved with a broad geometric band, the sides in the form of gargoyles representing winged feline beasts, the solid seat raised on massive block supports. L: 52 3/4" (134 cm). Illustrated page 40
336 FRENCH ART DECO BUREAU DE DAME. Circa 1920. The molded rectangular top with a leather-lined writing-slide opening to reveal lidded compartments, the superstructure with two hined banks of drawers opening to an interior with two open shelves flanked by tambour-fronted end sections, raised on turned, tapered and reeded legs. H: 38 1/4" (97 cm); W: 24 3/4" (63 cm); D: 16 3/4" (42.5 cm). [600-800]
337 ART DECO CARVED WALNUT CANAPE. Circa 1920. The slightly arched, padded back within a leaf-carved frame surmounted by a leaf-carved crest and continuing into similarly padded, curved arms, the loose-cushion seat raised on similarly carved block feet. L: 77 1/2" (197 cm). [600-800]
338 FRENCH BELLE EPOQUE GILT-BRASS AND PAINTED PORCELAIN EIGHT-LIGHT CHANDELIER. Stamped, "G.D. 4310", late 19th century. The circular Sevres-style bowl painted with figural vignettes emblematic of the seasons, all within a pierced rocaille frame issuing foliate candle branches terminating in foliate nozzles and drip pans, suspended by chains from a foliate corona. H: 23" (58.5 cm); Diam.: 22 1/2" (57 cm). [300-400]
339 PAIR OF RENAISSANCE STYLE WHITE-METAL CANDLE PEDESTALS WITH BASES. Each pedestal of baluster form raised on a triangular, molded plinth-form base. H: 25 1/2" (90 cm). [400-600]
340 PATINATED-BRONZE AND GREEN GLASS HALL LANTERN. The corona with three branches supporting a circlet mounted with be-ribboned laurel leaves and suspending a basket covered with green glass flower heads centered with "pearls". [400-600]
341 PAIR OF CAST-BRASS FIGURAL WALL SCONCES. Each designed as a pierced and foliate backplate in the Rococo style, issuing a scrolled and pierced foliate candle branch terminating in a similar drip pan and surmounted by a putto bearing a swag of berried laurel. H: 17" (43 cm). [500-700]
342 ART DECO STYLE GILT-METAL AND FROSTED-GLASS SEVEN-LIGHT CHANDELIER. The triangular, rope-twist basket supporting a conforming glass inverted shade and issuing six foliate candle branches. H: 28 1/2" (72.5 cm); Diam.: 23 1/2" (54.5 cm). [700-900]
343 ITALIAN ROCOCO WALNUT COMMODE-A- LA-REGENCE. Mid-18th century. The molded rectangular top with a serpentine front edge, the conforming bombe front with three molded drawers veneered in burr walnut a deux faces, the panelled bombe stiles continuing into splayed square-section legs joined by a shaped skirt. H: 33 1/4" (84.5 cm); W: 50 1/2" (128.5 cm); D: 24 1/2" (62 cm). Illustrated [3,000-4,000]
344 CONTINENTAL CARVED OAK CHEST. 18th century. The molded, hinged, rectangular top opening to a storage well with a lidded candle till, the front with a molded panel carved with foliate rinceaux, mythological beasts and the date 1771, raised on stile feet joined by a shaped, molded and leaf-carved skirt. H: 31" (79 cm); W: 57 1/2" (146 cm); D: 20 3/4" (53 cm). [2,500-3,000]
345 PAIR OF ITALIAN PAINTED AND PARCEL-GILT ALTAR STICKS. Late 18th century. Each of triangular section and baluster form carved with acanthus foliage, beading and ribbed panels, terminating above in a gadrooned circular top fitted with a tole nozzle and drip pan, painted green with gilt highlights. H: 48 3/4" (124 cm). [3,000-4,000]
346 PAIR OF ITALIAN PAINTED AND PARCEL-GILT FLOOR CANDLE STICKS. Mid-18th century. Each of triangular, baluster form, profusely carved with egg-and-dart molding, foliate molding and beading, the panels respectively carved with trailing wheat husk, flower heads and flaming hearts, terminating above in a gadrooned circular top with a tole nozzle and drip pan and below in foliate scroll legs, gilt and ochre highlights on an ivory ground. H: 57 3/4" (147 cm). [5,000-6,000]
347 PAIR OF ITALIAN PAINTED AND PARCEL-GILT FLOOR CANDLE STICKS. 19th century. Each of triangular, baluster form carved with acanthus leaves, gadrooning and swags, the circular top capped with lotus leaves, the triangular base with downsept scroll legs, the sides centered with further acanthus foliage. H: 74 1/2" (189.5 cm). [5,000-7,000]
348 ITALIAN BAROQUE CARVED WALNUT TRONO. Attributed to Andrea Brustolon (active late 17th/early 18th century). The padded rectangular back issuing downswept arms headed by reclining putti and terminating in foliate scrolls, the supports in the form of youths draped in loincloths, the stuff-over seat raised on short, leaf-capped cabriole legs with feet carved as the heads of mythological beasts, the arched and molded cross-stretcher supporting a covered urn. [7,000-9,000]
349 BIEDERMEIER PINE MARBLE-TOP CIRCULAR CENTER TABLE. Second quarter 19th century. The plain top raised on a slightly tapered triangular pedestal, the triangular platform base with concave sides on scroll feet with castors. H: 28 3/4" (73 cm); Diam.: 42" (106.5 cm). [1,000-1,500]
350 CONTINENTAL EMPIRE WALNUT CANDLESTAND. First quarter 19th century. The circular, cockbeaded top raised on a twist-turned standard, the triangular platform base with concave sides and paw feet. H: 27 1/2" (70 cm); Diam.: 12 3/4" (32.5 cm). [200-300]
351 GERMAN CARVED AND INLAID WALNUT CIRCULAR CENTER TABLE. Mid-19th century. The segmentally veneered top with a molded serpentine edge and inlaid with a band of scrolling foliage in boxwood on a kingwood ground, the baluster-carved standard carved with cabochon, the quadruped base with leaf-capped, downswept scroll legs and castors, mounted with similarly scrolled and carved secondary supports. H: 28 1/2" (72.5 cm); Diam.: 43 1/2" (110.5 cm). [1,500-2,000]
352 ITALIAN WALNUT SCAGLIOLA-TOP CIRCULAR LOW TABLE. 19th century. The top centered with a rustic landscape depicting a treed hillock with a windmill and edged with an interlaced geometric design in yellow on a black ground, the molded and crossbanded edge raised on molded cabriole legs with scroll toes. H: 30" (51 cm); Diam.: 36 1/2" (93 cm). [3,500-4,500]
353 ITALIAN RENAISSANCE-REVIVAL CARVED WALNUT OPEN ARMCHAIR. Stamped, "V. BESAREL/VENEZIA", mid-19th century. The rectangular back with a shaped and scrolled crest rail over a similar cross-bar, the downswept arms headed with reclining putti and terminating in scrolls, the padded seat raised on curule-form supports with lion-paw feet joined by baluster-turned pole strethcers, frame channelled throughout and profusely carved with acanthus foliage and grotesque masks. [4,000-6,000]
354 DUTCH WALNUT AND MARQUETRY CHEVAL MIRROR. Circa 1840. The rectangular plate within a conforming tri-arch swing-frame suspended between square-section tapering posts with brass scrolled candle branches, the serpentine-fronted base raised on trestle ends with castors, profusely inlaid with floral marquetry and stringing. H: 83 1/2" (212 cm); W: 40 1/2" (103 cm). [5,000-7,000]
355 FLEMISH CARVED OAK SIDE CHAIR. Second half 19th century. The open rectangular back with a pierced foliate splat surmounted by a vine-carved crest, the padded seat with lunette-carved rails raised on baluster-turned legs joined by an H-stretcher, frame twist-turned throughout. [200-300]
356 FLEMISH CARVED OAK SIDE CHAIR IN THE 17TH CENTURY STYLE. The rectangular back centered by a caned panel within a pierced frame carved with fruiting vine flanked by finialled posts, the caned seat with lunette-carved rails, the turned, square-section legs joined by an H-stretcher, frame twist turned throughout and carved with paterae. [200-300]
357 PAIR OF ITALIAN 17TH CENTURY STYLE WALNUT OCTAGONAL OCCASIONAL TABLES. Each molded top raised on a baluster-turned standard of massive proportions, the molded octagonal base with compressed bun feet. H: 21 3/4" (55 cm); Diam.: 20 1/4" (51.5 cm). [400-600]
358 CONTINENTAL CARVED WALNUT AND CANED BERGERE IN THE LOUIS XVI TASTE. The molded rectangular back inset with a caned panel, the laurel-carved, overscroll arms similarly inset, the backcurved supports carved with piastres, the loose-cushion seat with convex, similarly carved rails, raised on pomegranate-form feet with castors. [500-700]
359 CONTINENTAL CARVED BEECHWOOD ROCKING-CHAIR. Second half 19th century. The arched rectangular back with a scroll-carved crest over a caned panel, the spindle-turned posts with finials, the downswept arms flanking a serpentine-fronted padded seat raised on baluster-turned legs mounted on rockers. [500-700]
360 FLEMISH SEVENTEENTH CENTURY STYLE CARVED OAK AND EBONY SIDE CABINET. 19th century. The molded rectangular top over a leaf-carved frieze drawer flanked by lion heads raised on columnar stiles, the front with a panelled door with geometric molding centered by a lozenge and opening to a shelf, the base with a further drawer, the convex plinth raised on compressed bun feet. H: 50" (127 cm); W: 38" (96.5 cm); D: 25 1/2" (65 cm). [600-800]
361 ITALIAN RENAISSANCE STYLE CARVED WALNUT EXTENDING REFECTORY TABLE. The molded rectangular top extending on each long side with narrow additional leaves, each carved, urn-shaped end support raised on arched feet, the shaped pole stretcher similarly carved. H: 30 1/4" (77 cm); L: 114 1/2" (291 cm); W: 54 1/4" (138 cm). [1,500-2,000]
362 ITALIAN RENAISSANCE STYLE CARVED WALNUT CASSAPANCA. Incorporating period components. The rectangular back centered by a carved figural panel flanked by terms surmounted by an outset cornice and raised on a spindle gallery, the hinged, solid seat opening to a storage well fitted with a till, the front with a molded armorial panel flanked by further terms, all raised on a molded plinth. H: 41 1/4" (104.5 cm); W: 49" (124.5 cm); D: 20 1/2" (52 cm). [2,000-3,000]
363 SET OF SIX SEVENTEENTH CENTURY STYLE PAINTED OAK DINING-CHAIRS. Comprising six side chairs, each padded rectangular back flanked by twist-turned, square-section posts, the padded rectangular seat raised on similarly turned legs joined by a box stretcher raised on compressed bun feet. [500-700]
364 NEAR PAIR OF CARVED HARDWOOD SOLOMONIC COLUMNS. Each spirally carved shaft entwined with fruiting vine, terminating above in a stylized Corinthian column and below in a socle. H: 59 3/4" (152 cm). [1,500-2,000]
365 PATINATED-BRONZE MARBLE-TOP RECTANGULAR CENTER TABLE IN THE BAROQUE TASTE. The molded bardiglio top over a frieze cast with Vitruvian waves and suspending a foliate arabesque, the cabriole legs in the form of female monopodi hung with floral swags and terminating in lion-paw feet. H: 28 1/4" (72 cm); L: 37" (94 cm); W: 25 1/2" (65 cm). [2,000-2,500]
366-375 NO LOTS

376 NINE PIECES AMERICAN STERLING FLATWARE. Five International "Mille Fleurs" pattern teaspoons; sugar tong marked "R"; Gorham "Strasbourg" pattern sugar spoon, monogrammed; Whiting "Madam Jumel" pattern dessert spoon, monogrammed; Towle "Louis XIV" pattern salad fork, monogrammed. Wt.: 5 oz. 4 dwt. [75-100]
377 SILVER PLATED DEER. On rectangular base. L: 5 1/4". [100-150]
378 SIX PIECES SILVER. Inverted pear shape perfume bottle, partly fluted body; two lipstick boxes, unmarked; perfume bottle stopper, marked "Harison maker"; salt shaker, marked "sterling", weighted base; frame, shaped rectangular, repousse with scrolls and flowers. Frame: 7 1/2" x 5". Weighable silver: 2 oz. 2 dwt. [100-150]
379 FIVE PIECES STERLING. Four unmarked boxes. One shaped oval with repousse floral cover; one circular, sides repousse with floral and foliate decoration, detachable cover; one octagonal, repousse floral cover; the last one conical repousse floral decoration; hand hammered rectangular calender with chased floral decoration. Calender: 3 3/4" x 2 3/4". Weighable silver: 5 oz. [100-150]
380 EIGHTEEN PIECES AMERICAN STERLING FLATWARE. Various makers and patterns. Weighable silver: 5 oz. 2 dwt. [100-150]
381 VICTORIAN SILVER PLATED COFFEE URN WITH BURNER. Baluster shape repousse with grapevines centering two vacant cartouches, two handles in the form of a branch applied with similar decoration, circular base pierced with scrolls at intervals on four scroll, foliate and beaded supports, detachable cover, grapevine finial. H: 16". [100-200]
382 THREE PIECES SHEFFIELD SILVER PLATED TEA SERVICE. Teapot, two-handle covered sugar and creamer. Plain ovoid, bombe cover, baluster finial, rattan handle. Teapot, H: 8 1/4". [125-175]
383 21 PIECES SILVER AND SILVER PLATED FLATWARE. Two Durgin "English Rose" pattern serving spoons and sauce ladle; six teaspoons; 10 pieces fruit service with silver handle: 6 forks, 4 knives; sugar tongs; WMF meat fork. Weighable silver: 11 oz. 8 dwt. [125-175]
383A FIVE PIECES STERLING. Gorham baby cup, plain, scroll handle, monogrammed; Gorham two-handle open sugar and creamer, plain circular, scroll handles; Rogers small bowl with pierced border, gadroon rim; Webster small bowl with pierced sides, reeeded rim. Larger bowl, D: 6 1/2". [125-225]
384 PAIR AMERICAN STERLING WEIGHTED THREE LIGHT CANDELABRA. Circular foot rising to tapering stem, two branches, vasiform sconces. H: 10 1/4". [125-150]
385 FIVE PIECES AMERICAN STERLING. Gorham oval tray, plain reeded rim; Chicago Silver Co. two-handle open sugar, plain tapering cylindrical; two-handle open sugar, marks rubbed, circular on four hoof feet issuing from lion masks; Whiting footed bowl, circular with pierced border; Watson oval bowl, reeded rim, pierced border. Tray, L: 9 3/4". Wt.: 29 oz. 8 dwt. [125-225]
386 REED & BARTON STERLING "FRAGRANCE" PATTERN SALAD SERVING SET. L: 9". Wt.: 6 oz. 4 dwt. [100-200]
387 EIGHT PIECES AMERICAN STERLING. Manchester silver Co. Revere style bowl, small compote, circular dish, monogrammed; pair pepper shakers; salt cellar with salt spoon; shell form dish. Wt.: 34 oz. 8 dwt. [150-250]
388 PAIR STERLING 950 THREE-LIGHT WEIGHTED CANDELABRA. Circular base, rim applied with scrolls and leaves, rising to knopped stem, vasiform sconces, drip pans, central bud finial. H: 10 1/4". [150-250]
389 CONTINENTAL .800 FINE SILVER TRAY. Plain oval with scalloped reeded border. 14 1/4" x 11". Wt.: 17 oz. 2 dwt. [150-250]
390 SIX PIECES AMERICAN STERLING. S. Kirk & Son repousse preserve spoon; J.S. Macdonald serving spoon, repousse terminal bowl with scalloped edge and bright cut floral decoration; Frank Smith jelly server; Davis & Galt salad serving spoon and fork, monogrammed; repousse dish in the form of a heart. Wt.: 8 oz. 6 dwt. [175-275]
390A PAIR GORHAM STERLING WEIGHTED CANDLESTICKS. Hexagonal base rising to tapering hexagonal stem, vasiform sconces, detachable bobeches with reeded rim. H: 9". [200-300]
391 FOUR PIECES STERLING. Clothes brush marked "Sterling 925", repousse with flowers centering monogrammed cartouche; cigarette case, marked "sterling", shaped square, cover engraved with reeds centering monogrammed cartouche, border repousse with scrolls and foliage; 2 purses, one marked "Gersilver, other marked "sterling". Wt.: 12 oz. [200-300]
392 AMERICAN STERLING PITCHER. Marked "Cartier", New York, also marked "Graff, Washbourne & Dunn". Baluster shape on circular foot, scroll handle. Inscribed and dated "1950". H: 9". Wt.: 26 oz. 8 dwt. [200-300]
393 FIVE AMERICAN STERLING AND GLASS BOXES. Circular cut glass powder box with Whiting sterling cover, plain applied with beads, monogrammed; hair receiver, circular cut glass, pierced sterling cover repousse with flowers; three small cut glass boxes repousse floral decoration on silver covers, one by Unger Bros., one by Webster & Co., the last one marked "sterling". Larger, D: 4 1/2". H: 2 3/4" [200-300]
394 STERLING 950 ENTREE DISH. Shaped rectangular, rim and cover applied with foliate and floral decoration, two handles. L, over handles: 14 1/4". Wt.: 59 oz. 6 dwt. [200-300]
395 GORHAM STERLING CIRCULAR TRAY. Plain with reeded rim. D.: 14". Wt.: 27 oz. [200-300]
396 AMERICAN STERLING PUNCH LADLE. Terminal applied with scrolling foliage. Monogrammed. L: 9 1/2". Wt.: [225-325]
397 REED & BARTON STERLING "CHAMBORD" PATTERN SALAD SERVING SET. Spoon and fork. Monogrammed. L.: 9". Wt.: 5 oz. 6 dwt. [225-425]
398 EIGHTEEN PIECES STERLING. Eight goblets marked "sterling 970". Plain flaring rim on circular foot, gilt interior; 9 footed cordial; tooth pick holder. Goblets, H: Wt.: 42 oz. 4 dwt. [250-350]
399 REED & BARTON STERLING "LUXEMBOURG" PATTERN PUNCH LADLE. L: 11". Wt.: 5 oz. [250-450]
400 GEORGIAN SILVER SUGAR TONGS. Cast with shell, foliage, scrolls engraved with flowers centering vacant cartouche. Wt.: 1 oz. 2 dwt. [75-100]
400A GEORGE III SILVER SERVING SPOON. By William Eley and William Fearn. London, 1818. Engraved with a crest. L: 11 3/4". Wt.: 3 oz. 6 dwt. [125-150]
401 TWELVE PIECES MOTHER-OF-PEARL AND STERLING FLATWARE. Six fruit forks, cuffs marked "Sterling", 6 fruit knives unmarked. [100-200]
402 TWO PIECES SHEFFIELD SILVER PLATE. Entree dish, shaped oval, applied at the rim and cover with grapevines, detachable handle in the form of a branch applied with grapevines; sauceboat with undertray, the rim applied with grapevines. Entree dish, L: 14 1/2". [125-175]
403 25 PIECES ENGLISH SILVER FLATWARE. Twelve fruit knives, Sheffield, 1904-05, 11 marked "HG" and one marked "J.S."; 12 teaspoons and sugar tongs, London, 1889, marked partially rubbed, possibly James Wakely & Frank Wheeler, handles repousse with flowers and scrolls. Both in fitted box. Weighable silver: 8 oz. 8 dwt. [125-225]
404 TWO VICTORIAN SILVER SUGAR TONGS. One by Josiah Williams & Co. Exeter 1875, engraved with scrolling foliage centering monogrammed cartouche; the other London, 1871. Marke "T.S." applied with flowers and shells. Wt.: 3 oz. 4 dwt. [150-175]
405 GLASS AND SILVER PLATE MOUNTED WATER PITCHER. Plain mount at the neck, flat hinged cover, loop handle. H: 10". [150-250]
406 TWO ENGLISH SILVER SUGAR TONGS. One Edinburgh 1869, makers's mark "JW". Applied with shells; the other one Georgian with shell grips. Wt.: 2 oz. 8 dwt. [150-250]
407 THREE PIECES SHEFFIELD SILVER-ON-COPPER COFFEE SERVICE. Coffee pot, two-handle covered sugar and creamer. Neo-classical style, cut corners, vacant cartouches flanked by bow-tie floral garlands, oval foot, angular handles. Coffee pot, H: 10 1/4". [150-250]
408 ENGLISH SILVER PLATED TRAY. Marked "Z. Barraclough & Sons Silversmiths". Shaped rectangular, plain molded rim, two bifurcated handles, monogrammed. L, over handles: 25 1/2". [150-250]
409 FOUR GEORGE IV SILVER "KING" PATTERN DINNER FORKS. By William Eaton. London, 1828. Engraved with a crest. Wt.: 12 oz. 6 dwt. [175-275]
410 FOUR PIECES SILVER AND SILVER PLATE. English silver plated chamberstick, circular pan with molded rim, vasiform sconce, conical extinguisher, monogrammed; footed bowl, Birmingham 1936-37, makers mark "S.B & S Ltd", plain circular; sugar caster marked "Sterling England", oval baluster form; French creamer, baluster form, lobed body, wooden scroll handle. Sugar caster, H: 6". Weighable gross weight: 13 oz. 6 dwt. [200-300]
411 ENGLISH SILVER PLATED THREE BOTTLE TANTALUS. Rectangular base on four scrolling foliate supports, central handle, three cut glass decanters with geometric design. H, over handle: 13". [250-350]
412 TWO VICTORIAN SILVER TABLESPOONS. London, 1839. Maker's mark partly rubbed. Terminal applied with scrolling foliage centering crested cartouche. L.: 9". Wt.: 6 oz 6 dwt. [275-475]
413 CONTINENTAL SILVER CREAMER. Oval flluted body, loop handle. Monogrammed. H.: 6 1/2". Wt.: 5 oz. [300-500]
414 PAIR SHEFFIELD SILVER PLATED ENTREE DISHES. Shaped rectangular, gadrooned rims, detachable handles with gadroon decoration. 11" x 8". [300-500]
415 SILVER PLATED TEA URN. Square base, ovoid body engraved with flowers, diapers, reeded band at the shoulder, two loop handles, detachable cover, baluster finial. H: 18 1/2". [400-600]
416 PAIR SHEFFIELD PLATE CANDLESTICKS. C. 1785. Square base applied with foliate garlands, ram's head and medallions rising to fluted stem with conforming decoration, vasiform sconce applied with bow-tie foliate garlands, detachable bobeches with gadrooned rims. H: 11 1/2". [1,300-1,500]
417 SILVER PLATED BUN WARMER. Oval on four paw feet, the cover chased with flowers and foliage, beaded rim. With liner and mazarine, two reeded handles issuing from foliage. L, over handles: 12 1/2". [250-450]
418 PAIR AMERICAN SILVER PLATED ENTREE DISHES. Oval with gadrooned rim, detachable foliate handles, monogrammed. L: 11 1/2". [300-500]
419 SILVER PLATED KETTLE-ON-STAND WITH BURNER. Circular, upper body engraved with scrolling foliage centering two cartouches engraved with armorials, leaf capped spout, flat hinged cover, nut finial, overhead fixed scroll and foliate handle; circular base with pierced foliate apron, four scroll and foliate supports. H, over handle: 15 1/2". [200-300]
420 CONTINENTAL SILVER PLACE PLATE. Scalloped reeded edge. D: 9 1/2". Wt.: 16 oz. 6 dwt. [75-100]
420A SEVEN PIECES SILVER. Footed bowl, engraved allover with geometrical design; 925 Mexican square dish, scalloped rimm, lobed body; 3 Egyptian pieces: circular nut dish, circular tray, oil lamp;circular nut dish marked "Madeinsam Alex & Co.; two-handle open sugar, tapering cylindrical, lobed body, pierced handles applied with animal figures. [100-200]
421 NINE PIECES ITALIAN SILVER. Shaped oval bowl with gadrooned rim; shaped circular platter with scroll and shell rim; small circular bowl with scalloped rim on four feet; 2 .800 fine child's flatware set: spoon, fork and knife in fitted box. Platter, D: 11 1/2". Weighable silver: 34 oz. 4 dwt. [250-350]
421A FRENCH SILVER SAUCEPAN. Plain circular, molded rim, treen handle. D: 7 3/4". Gross Weight: 22 oz. 4 dwt. [400-600]
422 TWO SILVER PLATED JARDINIERES. Plain, rectangular, flaring rims. With liners. L: 14 1/2". [75-125]
422A CONTINENTAL SILVER-ON-COPPER WINE COOLER. Tapering cylindrical, reeded base and rim, two scroll handles issuing from foliage. Marked under base "Gandais Palais Royal no. 118". H: 7 1/2". [100-200]
423 PAIR SILVER PLATED FIGHTING ROOSTERS. Naturalistically formed. L: 11 1/2". [125-175]
423A THREE SILVER BOXES. In the Chinese style. Square powder compact, marked "Sterling 950", cover engraved with figure and Pagoda; other fan shape, marked; last mandolin shape, unmarked. Powder compact: 3" x 3". Weighable silver: 4 oz. 4 dwt. [100-200]
423B OTTOMAN SILVER MIRROR. Stamped Tughra and maker's (?) mark. Circular, profusely decorated with scrolls, foliage, crescents, flowers, on fine stippled ground, scalloped edge. D: 14 1/2". [400-600]
424 TWO MIDDLE EASTERN STERLING PIECES. Shaped circular bowl, border engraved with foliate floral decoration and birds, pierced flowers and foliage at intervals, the center with scrolls and foliage on fine stippled ground; small beaker, tapering cylindrical engraved with flowers and foliage. Bowl, D: 12 1/4". [200-300]
424A OTTOMAN SILVER CUP AND SAUCER. Tapering cylindrical with saucer, Bright cut decoration with garland and flowers. H: 4". Wt.: 9 oz. 8 dwt. [100-150]
424B THREE PIECES ORIENTAL SILVER. Teapot, plain circular,overhead swing handle; plain circular bowl, scalloped rim; mug marked "KHG" repousse figural and floral decoration, dragon handle. Teapot, over handle, H: 7 1/2". Wt.: 20 oz. 8 dwt. [150-250]
425 TWO ORIENTAL STERLING CIGARETTE BOXES. One plain rectangular, the other engraved with foliate decoration, both with treen interior. Larger: 6" x 3 1/4". [200-300]
425A JAPANESE SILVER VASE. Cylindrical, engraved with pagoda, trees and mountains. H: 10". Wt.: 22 oz. 4 dwt. [600-800]
426 JAPANESE IMARI PORCELAIN VASE. Edo period, 17th century. Floral decoration. Mounted as a lamp. H: 6 1/2". [400-600]
427 TWO JAPANESE VASES. One Fukagawa with bird and branch decoration, one Satsuma with bird and floral decoration. H: 8 1/2". [200-300]
428 TWO PIECES JAPANESE EARTHENWARE. Satsuma vase with landscape decoration, sake bottle with figural decoration. Larger, H: 10". [100-200]
429 EIGHT PIECES JAPANESE IMARI PORCELAIN. Pair cups and various bowls. Largest, D; 8". [150-250]
430 THREE PIECES JAPANESE PORCELAIN. Blue and white transfer decorated charger with phoenix and floral decoration, bowl and plate with floral decoration. Largest, D: 15 1/2". [150-250]
431 PAIR JAPANESE IMARI PORCELAIN DOUBLE GOURD FORM VASES. Meiji period. H: 11". [800-1,200]
432 JAPANESE IMARI PORCELAIN CHARGER. Central floral medallion flanked by fan shaped panels alternating with figural and floral decoration. D: 18". [300-500]
433 PAIR CHINESE SANG DE BOEUF PORCELAIN VASES. Mounted as lamps. H: 14 1/4". [150-250]
434 CHINESE CELADON PORCELAIN VASE. Swelling block cylindrical form with mask and ring handles. Fitted as lamp. H: 10 1/2". [150-250]
435 CHINESE CELADON PORCELAIN VASE. Club form. Fitted as lamp. H: 16". [150-200]
436 THREE CHINESE PORCELAIN VASES. One club form with raised lotus decoration on turquoise ground, H: 14"; one famille rose rouleau form with phoenix, dragon, and floral decoration, H: 17"; one famille verte rouleau form with figural decoration. (Cracked) H: 18". [200-300]
437 CHINESE IRON RED AND WHITE PORCELAIN CHARGER. Guangxi mark and period. Painted to depict two dragons chasing the flaming pearl of wisdom. D: 13 1/2". [800-1,000]
438 CHINESE IRON RED PORCELAIN CHARGER. Qing dynasty, 19th century. With fish decoration. D: 18". [300-400]
439 CHINESE IRON RED AND WHITE PORCELAIN COVERED BOWL. Qing dynasty, 19th century. With fish decoration. D: 11". [300-400]
440 CHINESE NEOLITHIC POTTERY URN. Machang type, Yangshao period. The ovoid body tapering to a flat base, set at the widest part with a pair of small loop handles, the high rounded shoulder painted in red and black with four circles within sweeping concentric bands. H: 16". [700-900]
441 PAIR CHINESE SANCAI PORCELAIN FIGURES OF FU DOGS. H: 10". [250-350]
442 FIVE CHINESE PORCELAIN FRUITS AND A BOWL. Each fruit with an insect. Bowl, D: 9 1/2". [250-350]
443 CHINESE PORCELAIN FIGURES OF SEATED DOGS. H: 10 1/4". [300-500]
444 CHINESE FAMILLE ROSE PORCELAIN FIGURES OF PEACOCKS. H: 13". [350-450]
445 PAIR CHINESE PORCELAIN FIGURES OF CRANES. H: 15". [350-450]
446 PAIR CHINESE FAMILLE ROSE PORCELAIN FIGURES OF COCKERELS. H: 16". [600-800]
447 PAIR CHINESE PORCELAIN DUCK-FORM TUREENS. With brown ground and blue and green feathers. H: 6 1/2". [350-400]
448 PAIR CHINESE PORCELAIN SEATED GUARD DOGS. With allover iron red and gilt highlights. H: 4 1/2". [200-250]
449 PAIR CHINESE PORCELAIN BIRDS on green rockery. Qing dynasty H: 7 1/2". [1,300-1,400]
450 CHINESE PORCELAIN VASE. With underglaze blue and iron red bird on flowering branch decoration. H: 14". [1,000-1,500]
451 CHINESE PORCELAIN FRUIT-FORM COVERED BOX. Pink and blue highlights on white ground, with applied yellow flori-form finial. L: 6 1/4". [650-750]
452 CHINESE BLANC DE CHINE PORCELAIN FIGURE OF A SEATED DOG. Collar with Chinese characters. H: 5 1/2". [300-350]
453 CHINESE BLANC DE CHINE PORCELAIN FIGURE OF GUANYIN. Seated and holding a scroll. [1,500-2,000]
454 CHINESE FAMILLE ROSE PORCELAIN GINGER JAR. Painted to depict flowering branches. H: 9 1/2". [100-150]
455 CHINESE FAMILLE ROSE PORCELAIN PLATTER. Chamfered corners, floral decoration. L: 16 3/4". [150-250]
456 CHINESE FAMILLE ROSE PORCELAIN BOWL. Figural decoration. D: 11 1/4". [500-700]
457 TWO CHINESE FAMILLE ROSE PORCELAIN VASES. One with figural and crane decoration and molded fu dog mask and ring handles; one with bird and floral decoration. Each mounted as lamps. Larger, H: 17". [200-300]
458 CHINESE FAMILLE ROSE PORCELAIN JAR. Qianlong, c. 1760. Figural decoration. H: 5 1/2". [300-400]
459 CHINESE FAMILLE ROSE PORCELAIN PILLOW. Phoenix and floral decoration. L: 15 1/4". [300-500]
460 PAIR CHINESE FAMILLE ROSE PORCELAIN DISHES. Qing dynasty. Figural decoration. D: 10 3/4". [150-250]
461 CHINESE FAMILLE ROSE PORCELAIN COVERED DISH. Qing dynasty. Figural decoration. D: 11". [500-700]
462 PAIR CHINESE EXPORT PORCELAIN PLATES. Qianlong. Central floral decoration, rim decorated with flying cranes and floral sprays. D: 9". [250-300]
463 CHINESE FAMILLE ROSE PORCELAIN VASE. Qing dynasty. Painted to depict warriors. H: 15". [500-700]
464 CHINESE FAMILLE ROSE PORCELAIN JARDINIERE. Jiaqing. Painted to depict flowering branches. H: 9 3/4". [800-1,000]
465 CHINESE FAMILLE VERTE PORCELAIN CACHE POT. With dragons chasing the flaming pearl of wisdom. D: 8 7/8", H: 6". [350-450]
466 CHINESE FAMILLE VERTE PORCELAIN VASE. With figural and architectural design. H: 16 1/4". [1,000-1,500]
467 SEVEN CHINESE FAMILLE ROSE PORCELAIN PLATES. Qing dynasty, 19th century. Made for the Thai market, painted to depict four cobalt blue vases amongst scrolling foliage and flowers. [800-1,000]
468 THIRTEEN PIECE CHINESE EXPORT PORCELAIN TEA SET. Blue and gilt armorial decoration. Drum form teapot, 6 cups, and 6 saucers. [1,000-1,500]
469 FOUR CHINESE EXPORT PORCELAIN ARMORIAL PLATES. Qianlong. Central armorial with arms of Eden above the motto "Si Sit Prudentia". Rims with sepia riverscape cartouches and iron red and puce foliate decoration. Two rim soups, two dessert plates. (As is). D: 8 1/2". [200-300]
470 PAIR CHINESE BLUE AND WHITE PORCELAIN CANDLESTICK HOLDERS. Dragon and precious object decoration. H: 8". [150-250]
471 PAIR CHINESE COBALT BLUE, GILT, AND WHITE PORCELAIN COVERED JARS. Floral decorated cartouches on molded basket weave ground. H: 12". [1,000-1,500]
472 PAIR CHINESE BLUE AND WHITE PORCELAIN CANDLESTICKS. Each in two sections. With canton style decoration. H: 9". [350-450]
473 CHINESE BLUE AND WHITE PORCELAIN RETICULATED FRUIT BASKET AND UNDERTRAY. Floral decoration. L: 11". [400-600]
474 PAIR CHINESE BLUE AND WHITE PORCELAIN VASES. Qing dynasty, 19th century. H: 12". [400-600]
475 CHINESE BLUE AND WHITE PORCELAIN UMBRELLA STAND. Canton style decoration. H: 24". [300-500]
476 CHINESE BLUE AND WHITE PORCELAIN SALAD BOWL. Floral decoration. W: 9 1/2". [250-350]
477 CHINESE BLUE AND WHITE PORCELAIN BOTTLE FORM VASE. Canton style decoration. Mounted as lamp. H: 15". [350-450]
478 PAIR CHINESE BLUE AND WHITE PORCELAIN GARDEN SEATS. Canton style decoration. H: 19 1/2". [700-900]
479 CHINESE PORCELAIN BOWL. With allover exterior blue glaze. Qianlong mark and period. D: 7 1/2". H: 3 1/4". [1,450-1,550]
480 PAIR CHINESE BLUE AND WHITE PORCELAIN BOWLS. With iron red and gilt highlights, decorated with dragon chasing the flaming pearl of wisdom. D: 6 1/4", H: 2 5/8". [150-250]
481 CHINESE EXPORT PORCELAIN COVERED TUREEN. Qianlong. With underglazed blue border, decorated with wheat and berry overglazed enamel with monogramed "WS" in oval cartouches. Lid topped with fruit form finial. L: 12". [5,000-6,000]
482 CHINESE BLUE AND WHITE PORCELAIN VASE. 19th century. Decorated with mountainous landscape and floral scrolling decoration. H: 14 1/4". [1,800-2,000]
483 CHINESE BLUE AND WHITE PORCELAIN BOWL. Qing dynasty. Raised on 3 feet. D: 3 3/4". [200-300]
484 CHINESE BLUE AND WHITE PORCELAIN OCTAGONAL VASE. Figure in landscape panels alternating with floral and foliate panels. H: 11". [650-750]
485 CHINESE BLUE AND WHITE PORCELAIN COVERED URN. Kangxi. With central figural cartouches and floral design. H: 6 1/2". [650-750]
486 CHINESE BLUE AND WHITE PORCELAIN VASE. Kangxi. With landscape decoration and wooden stand. H: 6 3/4". [300-400]
487 CHINESE PORCELAIN CELADON AND BLUE GLAZED UMBRELLA STAND. H: 24 3/4". [300-400]
488 PAIR CHINESE ROSE MEDALLION PORCELAIN BALUSTER FORM VASES. H: 11 1/2". [300-500]
489 TWENTY-ONE PIECES ROSE MEDALLION PORCELAIN. Eight demitasse cups, 7 saucers, small oval platter, teapot, sugar bowl, plate, bread plate, 2 dessert plates. Pot, H: 6 1/2". [200-300]
490 CHINESE ROSE MEDALLION PORCELAIN BOWL. D: 10 3/4". [300-400]
491 PAIR CHINESE EXPORT FAMILLE ROSE PORCELAIN VASES. With insect, butterflies and floral decoration on celadon ground. H: 9". [650-750]
492 PAIR CHINESE PORCELAIN BONSAI TRAYS. With rectangular form with canted corners. Floral decoration. L: 9". [400-500]
493 PAIR CHINESE ROSE MANDARIN PORCELAIN PLATES. Qing dynasty. D: 9 3/4". [200-300]
494 CHINESE FAMILLE ROSE PORCELAIN BRUSHHOLDER. With butterfly and floral decoration. H: 4". [500-600]
495 PAIR CHINESE ROSE MANDARIN PORCELAIN PLATES. Qing dynasty. D: 9 3/4". [200-300]
496 PAIR CHINESE ROSE MANDARIN PORCELAIN PLATES. Qing dynasty. D: 9 3/4". [200-300]
497 PAIR CHINESE ROSE MANDARIN PORCELAIN PLATES. Qing dynasty. D: 9 3/4". [200-300]
498 PAIR CHINESE ROSE MANDARIN PORCELAIN PLATES. Qing dynasty. D: 9 3/4". [200-300]
499 PAIR CHINESE FAMILLE ROSE PORCELAIN VASES. Qing dynasty. Dragon, tiger, fu dog, and floral decoration. Molded fu dog and ball handles and kylin decoration. Mounted as lamps. H: 16". [600-800]
500 CHINESE PSEUDO TOBACCO LEAF PORCELAIN FOOTED DISH. L: 13 1/2". [300-500]
501 PAIR CHINESE CABBAGE AND BUTTERFLY PATTERN PORCELAIN MEIPING FORM VASES. Mounted as lamps. H: 15". [600-800]
502 CHINESE CABBAGE LEAF AND BUTTERFLY PORCELAIN TUREEN. L: 15". [500-700]
503 SEVEN PIECES ASSORTED ASIAN AND MIDDLE EASTERN TEXTILES. One Kalemkar printed panel with floral and foliate pattern, one Kalemkar printed jacket with floral design, one Chinese grey silk robe with leaf design, Chinese beaded belt, embroidered red silk swatch, and cloth hat, Persian woven coverlet with paisley design. [200-300]
504 CHINESE SILK EMBROIDERED ROBE. Gilt thread and multi-color floral embroidery on blue ground. [200-300]
505 CHINESE LACQUERED AND PAINTED COVERED BOX. With alternating figure in landscape and floral panels. Fitted with metal lock. H: 10 3/4" x L: 16 1/2". [200-300]
506 CHINESE CINNABAR GINGER JAR. Figural in landscape decoration. Mounted as lamp. H: 12". [350-450]
507 TWO PAIRS CHINESE CINNABAR VASES. Carved with continuous scenic decoration. H: 10", other pair, H: 6 1/2". [200-400]
508 CHINESE WOOD MOUNTED BRASS TABLE SCREEN. Qing dynasty. Etched with figural decoration. Overall, H: 26". [300-400]
509 PAIR CHINESE PEKING ENAMEL TRAYS. Decorated with maiden in garden within shaped oval cartouche, floral-filled ground. L: 8 3/4". [100-200]
510 CHINESE PEKING YELLOW GLASS BOWL. D: 4 1/2". [100-200]
511 CHINESE CLOISONNE HEAD OF A HORSE. Qing dynasty. H: 12". [300-400]
512 CHINESE POLYCHROME WOOD FIGURE OF GUANYIN. H: 69". [1,500-2,000]
513 CHINESE IVORY NETSUKE. Carved to depict fishmonger with revolving face. [75-100]
514 FOUR PIECES CHINESE CARVED JADE. Two fruit form carvings, a snuff bottle and a handled cup. H: 2 3/4". [400-600]
515 CHINESE CARVED ROCK CRYSTAL FIGURE OF GUANYIN. Qing dynasty. Holding a basket, with seperate rock crystal lotus-form base. Overall, H: 10 3/4". [400-600]
516 JAPANESE BRONZE TSUBA. Meiji period. Cast and pierced to depict mythological beast on rockery. Together with two other fittings including a small sheath with fu dog decoration and an end cap with warriors on horse back decoration. [200-300]
517 CHINESE JADE FIGURE OF ELEPHANT. Qing dynasty. Standing four square, the head slightly lowered, with leaf shaped ears pressed back against his head, the stone greyish green with russet highlights. L: 5 1/2". [700-900]
518 KHMER BRONZE FIGURE OF BUDDHA. Seated in lotus position below serpent. H: 5 1/4". [600-800]
519 CHINESE JADE AND LAPIS VASE. Cylindrical form on stepped feet having green stones at back knee. H: 7". [500-700]
520 JAPANESE BRONZE TSUBA. Meiji period. Signed. Cast to depict oni and figures in pavillion. Gilt highlights. [200-300]
521 JAPANESE CLOISONNE VASE. Partially wireless. Depicting crane looking at reflection, with mountain in background on caladon ground. H: 7 1/4". [150-250]
522 JAPANESE MIXED METAL VASE. Ovoid bronze with silver inlaid landscape decoration. H: 8 1/2". [200-400]
523 JAPANESE BRONZE TSUBA. Meiji period. Cast to depict dragon with gilt highlights. [150-250]
524 FOUR JAPANESE IRON TSUBAS. Meiji period. One signed and pierced with iris and foliate decoration; one signed and cast with diaper pattern decoration, one pierced with floral and scrolling foliate decoration; one cast with floral and foliate decoration. [300-500]
525 JAPANESE LACQUER SHRINE. Pierced interior doors opening to reveal elaborate interior. H: 35". [600-800]
526 FOUR TIER JAPANESE LACQUER BOX. Gilt cranes amidst sea and mountainous landscape. H: 7 1/2, L: 6 1/2". [100-125]
527 JAPANESE PAPIER MACHE PENCIL BOX. Decorated with figures in interior wth rust, silver, and gilt on black ground. L: 11 3/4". [100-125]
528 JAPANESE IVORY FIGURE OF A MERCHANT. H: 2 1/4". [200-300]
529 JAPANESE BRONZE VASE. Meiji period. Cast to depict cranes. H: 9 3/4". [250-350]
530 JAPANESE BRONZE TRUMPET FORM VASE. With applied floral and leaf decoration. "As is". H: 24 1/4". [100-200]
531 TWO JAPANESE COMPOSITION DOLLS. Embroidered costumes. H: 10 1/2". [60-80]
532 ASIAN GU FORM BRONZE VASE. H: 9 1/2". [75-125]
533 CHINESE CHAMPLEVE ENAMEL UMBRELLA STAND. H: 23 1/2". [200-300]
534 PAIR LARGE CHINESE BRONZE TEMPLE VASES. Cast with taotie masks and elephant head-form handles. H: 24 1/2". [1,500-2,000]
535 PAIR CHINESE STONE FIGURES OF FU DOGS. H: 24". [1,500-2,000]
536 EGYPTIAN ALABASTER HEAD OF A WOMAN. C. 1000-300 B.C. Wearing a striated tripartite wig, her idealized face with full outlined lips, broad cheekbones, and long almond-shaped eyes. H: 4 1/4". [700-900]
537 PERSIAN POTTERY TILE. Depicting horse and rider. 12" x 8". [200-300]
538 THREE PIECES. Middle Eastern metal censor and covered pot, green glass saddle bottle. Largest, D: 10 1/4". [100-200]
539 INDIAN WOOD FIGURAL PANEL. Carved to depict Ganesh. Approximately, H:12" [150-200]
540 INDIAN CARVED WOOD FIGURAL GROUP. Depicting animals with muscian. H: 44". [400-600]
541 INDIAN CARVED IVORY FIGURE OF DIETY WITH ATTENDANT. H: 8". [200-300]
542 INDIAN WOOD FIGURAL PANEL. Carved to depict erotic Krishna with his consorts. L: 32". [250-250]
543 TIBETAN BRONZE FIGURE OF YAMANTAKA. H: 17". [300-400]
544 TIBETAN BRONZE HANGING SHRINE. [300-400]
545 TIBETAN BRONZE FIGURE OF DANCER STANDING UPON A COBRA'S HEAD. H: 18 1/2". [300-350]
546 TIBETAN GILT BRONZE FIGURE OF MARCI WITH SAKTI. H: 9 3/4". [400-600]
547 TIBETAN GILT BRONZE FIGURE OF YAMANTAKA. H: 12". [600-800]
548 TIBETAN GILT BRONZE FIGURE OF CAKRASAMVARA. H: 13". [600-800]
549 TIBETAN BRONZE FIGURE OF BODDHISHATTVA. H: 16". [500-700]
550 INDIAN GREY STONE STELE FRAGMENT. Carved to depict figure of Buddha. H: 10". [800-1,000]
551 INDIAN BRONZE FIGURE OF PARVATI. H: 26". [800-1,200]
552 BURMESE TERRACOTTA VOTIVE TABLET SACCHA. Pagan, c. 12th Century. Molded to depict Buddha. Seated in bhumisparsamudra with his legs crossed in virasana on a double-lotus pedestal within a shrine. [800-1,200]
553 TIBETAN GILT BRONZE FIGURE OF CAKRASMAVARA. H: 18". [600-800]
554 TIBETAN BRONZE FIGURE OF YAMANTAKA. H: 18". [300-350]
555 FIVE TIBETAN GILT BRONZE FIGURES OF BUDDHA. H: 6". [500-700]
556 THAI BRONZE BUST OF BUDDHA. H: 22". [500-700]
557 THAI GILT WOOD RECLINING FIGURE OF BUDDHA WITH BOAT-FORM STAND. L: 31". [750-1,000]
558 SIX SOUTHEAST ASIAN BRONZE VESSELS. Tallest, H: 8". [100-150]
559 THREE SOUTHEAST ASIAN BRONZE FIGURES OF BUDDHA. Taller, H: 12". [150-250]
560 THIRTEEN SOUTHEAST ASIAN BRONZE EROTIC FIGURES. H: 3 1/2". [200-250]
561 FOUR SOUTHEAST ASIAN BRONZE FIGURES. Tallest, H: 14". [100-150]
562 EIGHT SOUTHEAST ASIAN BRONZE EROTIC FIGURES. H: 3 1/2". [100-150]
563 FOURTEEN SOUTHEAST ASIAN BRONZE FIGURES. Tallest, H: 6". [200-300]
564-599 NO LOTS

End of Saturday Session